The Throwaway by Michael Moreci
Wednesday, July 18, 2018 at 10:40AM
TChris in Michael Moreci, Thriller

Published by Tor/Forge Books on June 19, 2018

Late in The Throwaway, Mark Strain tells another character about how, as a child, he stood up every day for a weakling who was being beaten by bullies and how he was beaten every day in exchange for his trouble, just because it was the right thing to do. I didn’t believe the story, having read some version of the same self-serving boast too many times in thrillers, but I didn’t believe much of anything about The Throwaway.

The novel begins as Strain, an American, is unwillingly exchanged in a spy swap, handed over to Russian agents after being deported without a hearing. A lawyer and K Street lobbyist, Strain has a pregnant wife back in D.C., which didn’t stop him from flirting with a med student named Alice, who turned out to be a Russian spy named Ania.

Strain was lobbying for a firm that bid on a cybersecurity contract with the Pentagon. The contract involves software called Verge, in which the Russians have a great interest. Some of Strain’s methods to secure the contract were aggressive; others were illegal. A Texas Congressman who doesn’t take kindly to extortion plays a role in Strain’s downfall, as do others whose identities become known to Strain toward the end of the story. The identity of the key conspirator will be obvious to thriller fans, who will find little of interest in a novel that holds no surprises, apart from the convenient help he receives from two characters who have no credible reason to help him.

To clear his name, Strain must escape from his Russian captors, and from Russia, so that the can return to D.C. to save his wife and unborn child, as well as America. Impossible? Nothing is impossible in a modern thriller. Unfortunately, Michael Moreci failed to provide the kind of entertainment value that encourages a reader to suspend disbelief in an implausible plot.

The novel makes an attempt to explain how Strain might be deported without a hearing, but it’s the kind of explanation that would only make sense if nobody in America knew what was happening. Strain is vilified on national news. Talking heads on Fox News are even talking about sending Strain’s unborn baby to Russia, which only strikes me as credible because I doubt that any talking head on Fox has ever read the Constitution beyond the Second Amendment. But given that the entire nation knows that Strain is being sent “back to Russia” (from which he didn’t come), surely a good many people would have pointed out that American citizens are entitled to some sort of due process before they are deported, even by the lax standards of Homeland Security and ICE. Deporting an American citizen to a country where he’s never lived, and doing it full view of the media, just isn’t something that even the most nefarious conspirator in the imaginary Deep State could orchestrate.

In any event, Strain is sent to Russia along with real spies, including Ania. In Russia he is treated as a hero and a celebrity, which he uses to his advantage while escaping, despite not knowing a word of Russian. That didn’t strike me as plausible. Nor did NSA’s decision to send an assassin to Russia to take him out. It’s the kind of decision that is made to further the plot, not because it makes any sense. Deciding to kill the pregnant wife is equally senseless.

With all that going against the intrepid Strain, he must make his way home, which (spoiler alert) he does with remarkable ease. Actually, it isn’t possible to spoil the plot, because it is so easy to see what’s coming. It just isn’t easy to believe (or care) about any of it.

More examples that elevated my incredulity level: Strain’s wife bluffs her way into a secure area housing the Pentagon’s mainframe computer, not because anyone at the Pentagon would fall for the bluff, but because she needs to get inside to move the plot forward. As is common in thrillers, she brings along a computer nerd who was apparently born knowing just where in the mainframe to find the particular data she needs and to understand what the machine language is doing just by glancing at it. Of course, Strain also manages to get into the Pentagon, despite being known to the world as a Russian spy who has been deported, because he also needs to do that to move the plot forward. Does the Pentagon really have no security besides a guy standing at the back door?

Apart from dialog that is too often forced, Moreci’s prose style is serviceable. His characterization is about average for a thriller. The Throwaway isn’t an awful novel, but the plot is preposterous and the ease with which Strain overcomes adversity deprives this thriller of any thrills.

NOT RECOMMENDED

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