Published by Doubleday on November 12, 2019
The Innocents tells a powerful story of a brother and sister, orphaned and young, alone together, who withstand the threats of nature while trying to make sense of a world they are ill-prepared to understand. The man-against-nature theme is coupled with the theme of innocence and the potential misfortune that accompanies ignorance.
A boy named Evered Best, his sister Ada, and their parents live alone on the Newfoundland coast. They capture seals and catch fish, trading their catch for supplies that are delivered by a ship that only appears once a year. Illness takes the mother one winter and the father soon follows, leaving the children alone in the world. They have rarely met another person. Mary Owen in Mockbeggar, a day away by rowboat, helped their mother deliver a baby named Martha who died in infancy. She was their only point of contact with the outside world.
When spring comes, their supplies are nearly gone and the children are not sure how to go about assuring their survival. They have never left home and have nothing but each other to rely upon. Evered wasn’t old enough to visit the supply ship so he doesn’t know what to expect when it next appears. The ship’s captain is a former church official who might be cheating the Bests — he claims they never trade enough fish to pay the debt they owe for supplies — but he doesn’t seem like a ruthless man. Yet Evered is “just a youngster playing at being a man” who fears that he might not have what it takes to follow in his father’s footsteps, even if the captain is generous in his extension of credit.
While all of the novel’s characters live the hard lives of workers who scrape out an existence, they are all fundamentally decent. The captain wants the children to survive, as do a couple of other helpful people who encounter the children during the course of the story. One of those is a traveler named John Warren, who shows kindness to both Evered and Ada, although Evered isn’t sure that Warren can be trusted with Ada. At the same time, he isn’t sure what not trusting a man with a woman might entail.
The story is one of hardship and hard work that children should scarcely be able to endure. Their discovery of a shipwreck and the horrors it contains frightens them even more than Ada’s first menstruation. A story that a sailor tells about an evil deed done by a man Evered suspects was his father introduces another element of uncertainty into their shifting world.
The story bases much of its drama on the innocence of the two children as they move from preteens to their teen years without learning anything about life beyond survival skills. As they huddle together for warmth at night in their unheated cabin, Evered and Ada both feel the unspoken shame of Evered’s erection. “Shame and pleasure,” Ada thinks, “were the world’s currencies.” They don’t understand the urges they feel — they have no concept of how babies are made — and the reader fears the potential consequences of their innocent ignorance.
The brother and sister would die for each other, yet they hardly know how to confide their fears. Evered’s suspicions about Warren seem to change him, Ada thinks; “she was beginning to suspect a person might not be one simple thing, uniform and constant.” Perhaps they are not enough for each other. “They had all their lives been the one thing the other looked to first and last, the one article needed to feel complete whatever else was taken from them or mislaid in the dark.” One of the key dramatic questions is whether they brother and sister will spend their entire lives together in their isolated cabin, or whether they might look for something more, perhaps in Mockbeggar or even the more distant places that they cannot begin to imagine.
Apart from the intensity of its characterizations, The Innocents is remarkable for its creation of a sense of place. The dangers of isolated living — the threat posed by bears, steel traps capable of breaking a hunter’s leg, unexpected storms that could sink a rowboat, ice that might give way while hunting seal — are illustrated in vivid detail. There is always some vague horror lurking on the horizon, but the greatest horror comes from what Evered and Ada, in their innocence, might do to each other. In that regard, The Innocents combines all the hallmarks of a literary novel with the tension that accompanies a thriller.
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