The Wraith by Joe Hill

Published by IDW Publishing on August 12, 2014

Joe Hill, the pen name of Stephen King's son, has written a couple of best-selling horror novels, including NOS4A2 . He has also written some acclaimed comic books. The Wraith combines the world Hill created in NOS4A2 with the graphic novel form. It is a self-contained, stand-alone story.

Charlie Manx drives a 1938 Rolls Royce Wraith. The Wraith comes in handy when taking children to Christmasland, where every day is Christmas ... forever. Joe Hill's prose fills in Charlie's chilling personality as Charlie describes his upbringing (in which a combined mortuary-whorehouse figures prominently) and explains how, as the result of being swindled into investing in Christmasland, Charlie came to acquire the Wraith.

Eventually we get interlocking stories in different time frames about an uninsured guy who can't get medical treatment for his son and a group of convicts who break out of a prison van and get help from a fellow who helps people disappear. The fellow picks them up in ... you guessed it ... a Rolls Royce Wraith.

The story is strange until we arrive at Christmasland, when it turns truly bizarre. And gruesome. But intermixed with the gore are some poignant moments and sympathetic characters. The Wraith is not as memorable or as substantial as the work Hill did in the Locke & Key series, but it has its own bloody appeal.

RECOMMENDED

Hurricane Fever by Tobias S. Buckell

Published by Tor Books on July 1, 2014

Hurricane Fever starts with two improbably named characters -- Zee and Roo -- and engulfs them in a familiar plot that is nevertheless fun. Zachariah "Zee" Barlow steals a virus from a biotech lab and then injects himself with it. This seems like a bad idea since the virus kills him as he is on the phone to CDC. The virus is intended as a targeted weapon, a commonplace theme in technothrillers, but Zee's decision to infect himself with it isn't entirely believable. In any event, that plot thread fades into the background as the first two-thirds of the novel unfolds.

The novel follows Prudence "Roo" Jones, who should be outrunning bad weather on his catamaran with his nephew Delroy. Instead he drops everything to respond to a message he receives from the now-dead Zee. Roo and Zee were members of the Caribbean Intelligence Group back in the day. Roo picks up a flash drive that Zee mailed him and wonders what the weather data on the drive has to do with Zee's death. The reason for Zee's death also concerns Zee's mysterious sister -- mysterious because Zee never mentioned her to Roo.

Much of Hurricane Fever features the kind of chase-and-attempt-to-kill scenes that are customary in thrillers, along with some better scenes illustrating the dangers of hurricanes if you happen to live on a boat. The near-future plot plays with some high-tech gadgetry that would make 007's Q envious. Nearing the midway point, a turning point in the novel gives more depth to Roo than I expected to find. The plot, on the other hand, has little depth, as the reason the bad guy wants the virus turns out to be standard and unimaginative thriller fare.

The purpose of the virus becomes clear with about a third of the novel remaining. The pages that follow are filled with shootouts, chases, explosions, silly stunts, and predictable mayhem -- good fun that would probably look great on a movie screen, but nothing special on the screen of my imagination -- while the role played by the mysterious female eventually gives the novel an extra spark.

Hurricane Fever is a good beach read that mostly takes place on windy Caribbean beaches that are ever-threatened by hurricanes. While I wouldn't put this high on my list of recommended thrillers, it works well as fast-moving escapist fiction.

RECOMMENDED

The Rise & Fall of Great Powers by Tom Rachman

Published by The Dial Press on June 10, 2014

The Rise & Fall of Great Powers features wonderfully eccentric characters, but this character-driven novel has the added virtue of telling a multi-layered story that combines humor with intrigue while exploring the mysteries that come from knowing (and depending upon) other people. The characters have, to varying degrees, invented their lives and hidden their pasts, or settled on histories that suit them in the moment, sometimes because they do not know the full truth, other times because they want to conceal it.

In 2011, when the novel opens, Tooley Zylberberg has settled down, having purchased a small used bookshop in a small Welch village. It is a quirky shop, the sort that every booklover wants to find, but it earns no income, forcing Tooley to pay her sole employee, Fogg, from her meager savings. Although she is marching toward insolvency, Tooley keeps the place because it makes her feel rooted after living a rootless life. She avoids friendships because friendships require a past ("your past only mattered if others sought to know it") and she would prefer not to have one. Or so she tries to tell herself until an urgent Facebook message sends her flying across the ocean to meet someone in New York, only to cross it again to visit another person from her past in Italy. Her travels prompt her to reinterpret her life and to develop new understandings of the friends who were once part of it.

We learn about Tooley's past (as she understood it at the time) when the novel begins to jump to earlier decades. In 1999, at the age of 20, Tooley's exploration of New York City leads her to a law student named Duncan McGrory. He becomes the new presence in her life, an addition to her current traveling companions: an elderly man with a Russian accent named Humphrey who blames his misfortune on "the Moron Problem" and an affable itinerant Canadian con artist named Venn.

The novel's third time frame begins in 1988 as Tooley leaves Australia and travels to Bangkok with Paul, a contractor who installs modems in small American embassies. There she encounters flighty Sarah, who afterwards continues to drift in and out of her life. The significance of Tooley's time with Paul and Sarah only becomes clear in the novel's last half. In fact, it is only in the closing chapters that Tooley puts the pieces together and begins to understand her life from a new perspective.

The novel's fragmented structure allows intrigue to build as the reader watches and anticipates the reconstruction of Tooley's life. By emphasizing the relative nature of time, the novel suggests that memory is a form of time travel and raises the possibility that we change the past whenever we visit it. In a related passage that I loved, the novel argues that readers keep their books because they contain our past, "the texture of being oneself at a particular place, at a particular time, each volume a piece of one's intellect."

Apart from its thoughts about time and memory, The Rise & Fall is largely about the fictions that people make of their lives and the difficulty of piercing the fictions of others. As Humphrey says: "Nothing, not even dictionaries, can tell you what anything means. The reality of things is just sad, for the most part." And if reality is sad, inventing a happier version of your life is a way to cope. Yet when memories, in their retelling, "chip loose from the events themselves," detaching the present from the reality of the past, isolation can be the consequence of dishonesty. And while it may be impossible to penetrate the fictions of others, the novel wisely suggests that the key to understanding people lies is accepting "that to be surprised or disappointed or even betrayed [is] not a catastrophe." All of that is nutritious fruit to chew upon.

The opinionated characters in The Rise & Fall cover vast ground in their amusing conversations, from political systems to the myth of meritocracy, from the benefits of having faith in human beings to the advantages of living apart from them, from the perils to the joy of nonconformity. Some chats are silly, others are profound, all contribute to the eager turning of pages. Graceful prose, unpredictable characters, startling humor and rich insights into human nature make The Rise & Fall of Great Powers a true pleasure to read.

HIGHLY RECOMMENDED

Patton's Spaceship by John Barnes

First published in 1997 ; published digitally by Open Road Media on July 8, 2014

Patton's Spaceship is the first book in John Barnes' Timeline Wars series. It did not motivate me to read the others.

A new terrorist organization called Blade of the Most Merciful apparently has no purpose or goal other than to inflict terror. Mark Strang's father has been writing a book about Blade but the bombing of his publisher puts that endeavor on hold. After a bomb inflicts severe damage on his family, Mark mopes for awhile and then becomes a bodyguard. An academic named Harry Skena is convinced that Blade has rebranded from terrorism to organized crime and is out to get him. Skena wants Mark's protection. The extended shootout/chase scene that follows, commonplace in action thrillers, seems to mark this as a pretty ordinary novel.

After reading the opening of Patton's Spaceship, I said to myself, "I thought this was a science fiction novel. Guess I was mistaken." But then Mark and Harry are whisked to an orbiting space station and we learn that the Blade terrorists are being manipulated by Closers from another timeline. Closers are so named because they visit timelines and close off all possible branches that do not lead to totalitarianism with a view to taking control of the totalitarian world they create. Since societies are inclined to choose totalitarianism as an alternative to anarchy, the Closers use groups like Blade to create mayhem, making totalitarianism more attractive. Given the course of world history, that makes a certain amount of short-term sense although it hardly seems efficient.

Opposing the Closers are Crux Ops working for the Allied Timelines for Nondeterminism who need Mark's help. So what started as a Good Guy Shoots Terrorists novel turns into a Good Guy Shoots Science Fictiony Terrorists Using Science Fictiony Weapons novel. A number of middle chapters are filled with shootouts using smart bullets and uninspired prose like "there were explosions and bursts of fire everywhere."

Eventually Mark ends up in a timeline where the Nazis have just ended their occupation of the United States. There he encounters an information dump that doesn't make for good literature but is nonetheless a fairly interesting exploration of a plausible alternative history in which Roosevelt is assassinated, the Japanese are too overextended to bomb Pearl Harbor, isolationists control the American government, and the plucky British hold out for awhile with help from Howard Hughes. Some American war heroes and scientists from the timeline we know turn out to be heroic and smart in the alternate timeline, but it's up to Mark to help them turn things around.

Patton's Spaceship varies the "intrepid hero tries to save the world" formula by making this an "intrepid hero tries to save the timeline" story, but the plot is less inspired than the alternate history Barnes fashioned. I enjoyed reading the information dumps considerably more than I enjoyed the conventional story of a hero shooting down Nazi planes with his ray gun. There's a bit more too it than that, but not much and the story doesn't go anywhere special.

RECOMMENDED WITH RESERVATIONS

The Remarkable Courtship of General Tom Thumb by Nicholas Rinaldi

Published by Scribner on August 12, 2014

Charlie Stratton reached 25 inches and then stopped growing for several years. Needing money, his parents agreed to let their five-year-old become a circus attraction. P.T. Barnum changed Charlie's name to Tom Thumb and made him famous. During the next two years, while Tom wooed royalty and wowed the crowds in London and Paris, his parents, feeling left out, did not handle his success well. Barnum became Charlie's surrogate father, his God and his Devil, all rolled into one.

After this brief introduction to Tom Thumb, the heart of The Remarkable Courtship begins at the cusp of the Civil War, when Tom has reached 23 years and 32 inches. Convinced the war will be over quickly, Barnum takes Charlie to Manassas. The first battle of Bull Run is about to start and Barnum, like the reporters, congressmen, bankers, and parlor women who line the road, is eager to get a good seat. Contrary to Barnum's expectations, the battle does not bring an end to the war, and so the novel moves on.

Charlie narrates most the novel from his first-person perspective. In many respects, Charlie's life is about what a reader would expect his life to be. He craves normalcy. He wants a wife or lover. Charlie is a lonely dwarf. Smitten with the 8-foot-tall Ann Swan, he experiences "the lust of the tiniest shrub wanting to sink its root into the flank of a mountain." Having been created as an oddity, Charlie believes he is entitled to the "uncommon and unimaginable," including his dreams and desires, but the uncommon life he lives is not the one he wants. Nicholas Rinaldi conveys that convincingly but unsurprisingly. If there is a formula for structuring the life of a little person, this novel follows it.

Eventually Barnum hires a dwarf named Lavinia (Charlie is smitten again) and the novel shifts to her point-of-view as we learn her backstory. Her life is also about what a reader would expect, or perhaps less interesting than a reader would want. Her narrative voice is not distinct from Charlie's. But for letters Lavinia receives from her brother, the Civil War all but fades into the background. Fortunately, it returns to the foreground at the novel's midway point and from time to time thereafter.

The novel does a good job of depicting the Civil War's impact on those who fought and on those who did not, including those who opposed conscription and the class warfare that the Union created by permitting the wealthy to buy their way out of the draft. A similar problem troubles the Confederacy, exemplified by a deserter who explains how he repeatedly collected a bounty for volunteering as a replacement soldier for wealthy landowners, only to desert and collect additional bounties in other towns.

Lincoln briefly appears as a minor character, one of the better characters in the book. Ulysses S. Grant, Walt Whitman, and John Wilkes Booth are among the other figures from history who make brief appearances while adding little to the story. They are dropped names more than contributing characters. As for the major characters, most of whom seem needlessly petulent, I never found myself caring much about them. Rinaldi did not inspire my sympathy or empathy for characters who, in real life, probably deserved both.

The Remarkable Courtship's best attributes are its descriptions of civilian life during the Civil War and of the war itself, as seen from a (diminutive) civilian's perspective. For all the interest generated by the story's background, I was too rarely engaged by the story itself, despite its occasional tense moments. Most of the story's mild intrigue comes from a villainous man who bears malice toward Charles and whose identity we only learn at the end. Rinaldi's attempts at humor generally fall flat. While Rinaldi's writing is fluid and occasionally elegant, it is not the kind of soaring prose that can overcome a novel's deficiencies. My mixed feelings about The Remarkable Courtship of General Tom Thumb are based on the sense that this is a decent novel that could have been much better.

RECOMMENDED WITH RESERVATIONS