Extinction by Douglas Preston

Published by Forge Books on April 23, 2024

The Jurassic Park franchise suggests that the public has an insatiable appetite for stories centered around the revival of extinct species. Extinction imagines a Colorado park called Erebus that differs from Jurassic Park — as the reader is frequently reminded — because the mammoths and other de-extincted species have been genetically modified to eliminate aggressive tendencies. Yeah, what could go wrong?

Rather than giving the reader a Jurassic Park rip-off, Douglas Preston takes the story in a different direction. A newlywed couple is camping in the park at a discrete distance from their wilderness guide. The guide investigates a noise and discovers a large pool of blood where the couple had been camping. The volume of blood and the short time that elapsed before the bodies disappeared suggests that the bodies were decapitated.

Frankie Cash is a senior detective with the Colorado Bureau of Investigation. She’s charged with leading the CSI team to investigate the disappearance and presumed murder of the honeymooning couple. The newlywed husband’s father is a rich old guy who harasses Cash about finding his son (or his son’s killer) while engaging in boneheaded acts that only obstruct her progress.

Cash conducts a murder investigation that overlaps a wilderness adventure. She suspects that the killers are members of a cannibalistic cult, while Erebus wants to blame the crime on environmentalists. That the killers are armed with spears and knives does suggest a cult, perhaps one that is headed by the QAnon Shaman.

The head of security at Erebus seems to be misdirecting Cash, steering her away from an abandoned mine that might be at the heart of the mystery. What is he trying to hide? The answer is farfetched (as is the way of the modern thriller) but nevertheless entertaining.

Cash is in conflict with a boss who wants all the glory if she succeeds and none of the blame if she fails to catch the bad guys. This is a standard storyline, but it at least invites the reader to warm up to Cash, who is otherwise a bit bland. The story’s action scenes are suitable to a thriller.

Preston is a seasoned author (he takes the opportunity to have a character praise the Preston & Childs novel he’s reading) who can probably construct a novel like this one while he’s clipping his toenails. Extinction isn’t special but it isn’t a waste of the reader’s time. Frankie Cash is not a memorable protagonist and the story didn’t excite me, but the plot moves quickly and the key revelation (what is Erebus trying to hide from the public?) is genuinely surprising, although the surprise is largely dictated by its implausibility.

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The Unlikely Affair of the Crawling Razor by Joe R. Lansdale

Published by Subterranean Press on April 1, 2024

Edgar Allen Poe is credited with creating the first fictional detective. Some years ago, Joe Lansdale contributed to a collection of new stories about Poe’s C. Auguste Dupin. Lansdale brings Dupin back in the novella-length The Unlikely Affair of the Crawling Razor.

A young man named Julien has been investigating the catacombs in Paris. A series of gruesome murders has coincided with his investigation. Pieces of one victim’s body were scattered in the catacombs. A disemboweled victim was found on the doorstep of Julien’s sister Aline. Fortunately for Aline, Julien has paid a tavern owner to lock her inside her room at night. Unfortunately for Aline, Julien has disappeared. She visits Dupin in the hope that the famous solver of mysteries can find her brother.

The story takes on an air of the macabre when the tavern owner explains how he was chased by a demonic entity on his last visit to lock Aline’s door. Julien has a collection of books that describe portals to supernatural dimensions. He seems to have made a particular study of the Lord of the Razor (who happens to be an early Lansdale creation). If one of the Razor’s sharp instruments causes someone to bleed, the Lord of the Razor enters that person’s soul.

Dupin and his assistant (the story’s nameless narrator) embark on a search for Julien that takes them on a couple of trips to the catacombs. Bones and skulls and rats provide an appropriate setting for a confrontation with a demon.

Lansdale is a versatile writer. He dabbles in crime, humor, science fiction, and westerns, often mixing genres in original ways, but he is also one of the better horror storytellers in the business. The Bottoms is one of the most frightening books I’ve read. This novella is a bit too conventional to be truly scary, but the Lord of the Razor is sufficiently creepy to inspire a few chills.

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The Bin Laden Plot by Rick Campbell

Published by St. Martin's Press on April 23, 2024

I love submarine novels. I don’t know why. I just do. When Rick Campbell writes scenes on submarines, I am tense and fully alert, as if I am anticipating the need to dodge a torpedo. When he writes scenes that take place on land, my response is more ho-hum.

In The Bin Laden Plot, Campbell tries to spice the story with political intrigue that is completely over the top (meaning it is fairly routine by modern thriller standards). The idea of a “rogue U.S. organization covering its tracks, operating outside the law, willing to murder anyone who threatens to expose what they’ve done” is just another Tuesday in Thrillerworld. A bit more original is the premise that Osama bin Laden might have been taken prisoner rather than being killed. Anything can be true in Thrillerworld, so I decided to roll with it until Campbell got me back into a submarine.

Many of the protagonists, including Director of CIA Christine O’Connor and action hero Jake Harrison, have appeared in Campbell’s earlier novels. Another returning character is the mysterious Khalila, who is working for the CIA despite the fact that nobody trusts her, probably because she makes a habit of killling her partners. This novel reveals Khalila’s true identity which — no shock here — is over the top. Intelligence agencies make unintelligent decisions all the time, but bringing Khalili into the fold is too incompetent to pass as credible.

Central to the story is Brenda Verbeck, the Secretary of the Navy. Her brother made a secret deal to sell certain goods to Iran that violate American law. Verbeck learned about the deal from communications intercepted by a clandestine program that she oversees. To protect her brother, Verbeck has arranged to kill everyone who has knowledge of the communication. Over the top much? Oh, we aren’t even close to the pinnacle yet.

Verbeck also has to destroy a data archive that holds the communication, which involves destroying a small autonomous submarine and a rather larger one. She tasks Capt. Murray Wilson with destroying the subs. Wilson commands a submarine that has appeared in earlier novels in this series. Oddly, when Verbeck orders him to destroy submarines with the flimsiest pretext, Wilson obediently says yes without asking deeper questions about the necessity of sinking them. I guess following orders is more important than questioning bizarre orders.

I learned something from this novel that I probably would have learned by paying attention to the real world. I didn’t know that the military buried bin Laden’s body at sea, supposedly to prevent it from becoming a shrine to his followers. That was a convenient ruse if bin Laden was captured alive. Campbell has given conspiracy enthusiasts something new to get excited about, although I suppose they were blogging about it years ago.

The rest of the plot is standard. Iran is doing evil things. Russia is helping. America saves the day with torpedoes and manages to avoid political ramifications that, in the real world, would probably lead to war.

Harrison is a standard action hero, meaning one who is devoid of personality. He had a thing once with Christine but she kept putting him off so he married someone else. Christine regrets her decision. Harrison doesn’t. Campbell pushes that subplot forward in an unexpected way and promises to resolve it in the next book. I’m looking forward to it for the submarines, not for the romance story.

The ending features a typical villain who can’t stop boasting about his vengeful genius as he holds multiple people hostage. If bad guys would just shut up and be bad, they’d be a lot more successful. Still, I give Campbell credit for not forcing a happy ending.

For action fans, a prolonged fight scene near the novel’s end is a payoff that’s worth the wait. The submarine warfare scenes that usually enthrall me are a bit perfunctory, but the story moves quickly and — for readers who are willing to tolerate unlikely plots — it achieves a reasonable level of excitement.

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Nothing But the Bones by Brian Panowich

Published by Minotaur Books on April 16, 2024

Nothing But the Bones builds its plot from a diverse range of crimes and criminals. A central character controls the crime in a mountainous Georgia county but extends his reach into other parts of the country. A more sophisticated criminal, complete with a British accent and a proper education, is based in Jacksonville. Also in Jacksonville is a criminal who traffics in young people. A wealthy televangelist (again from Georgia) is a criminal by definition.

Embedded in the crime plot is a love story. Whether the love story will appeal to readers depends on how they will react to a plot twist. How they will react likely depends upon which side of a cultural divide they inhabit. Since the love story depends on a surprise that shouldn’t be spoiled, I’ll focus on the crime story.

Before he acquired the name Nails, Nelson McKenna was a large, shy kid with a deformed hand. Bullies thought Nelson was mentally challenged (although that wasn’t the phrase they used to describe him), but he suffers from a disability that makes it difficult for him to place his thoughts into words. Two girls intervened when Nelson was being bullied because they knew Nelson to be a nice guy. When the bully turned on one of the girls, Nelson decided it was time to fight back. Unfortunately, he didn’t know when to stop fighting.

Clayton Burroughs watched it all happen. He regarded Nelson as a friend so he called his Deddy to clean up the mess. That turned out to be a bad decision. Nelson acquired the name Nails from Gareth Burroughs and became Gareth’s enforcer. Gareth controls everything in the mountains and local law enforcement knows not to mess with him.

At a later point in his life, Nails has acquired a reputation for violence. He’s hanging out in a bar when a girl named Dallas flirts with him. A couple of tough guys assault Dallas and Nails intervenes to protect her. Again, Nails doesn’t know when to stop and again, Gareth Burroughs needs to clean up a mess. He sends Nails to Jacksonville but the likelihood is that he’s heading to his own funeral. Without being invited, Dallas joins him for the trip.

Nails bonds with Dallas as they make their way to Jacksonville. More crimes follow, including a theft of money from Nails, a gas station robbery, and the kidnapping of Dallas. Clayton defies his father by traveling to Jacksonville to rescue his friend. Violence ensues.

We’re told that Nails is a fan of old pulp novels, the kind that can be read quickly: “Short bursts of simple words. Short chapters that got to the point.” Brian Panowich adopts that style for Nothing But the Bones. He doesn’t try to write with self-conscious literary flair. He doesn’t mess around with devices like time shifts or changing points of view. He tells a straightforward, linear story with carefully chosen but unassuming prose. He writes with the gritty darkness of the best pulp writers. Unlike most pulp fiction, however, Panowich obviously took his time, editing and rewriting to avoid the clunkiness of pulp writers who had to churn out a high volume of words each month to pay the rent.

Nails and Clayton have a moral center that makes them likable. Clayton’s confrontation with his father adds tension to the story, as do Nails’ efforts to rescue people in distress. A section of the novel that functions as an epilogue forces a happy ending that seems out of place and isn’t nearly as believable as the rest of the story. Fans of happy endings will want to read the whole book; fans of realism might want to skip the ending.

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Our House in the Last World by Oscar Hijuelos

First published in 1983; published by Grand Central Publishing on April 9, 2024

Our House in the Last World is the story of an immigrant family that struggles to find its identity in America. The story of the Santinio family begins with Mercedes Sorrea. Her father was a poet but he made a living in the timber business in Cuba after emigrating from Spain. Mercedes had a good life until her father misjudged the reliability of Cuban politicians and suffered a financial downfall.

In 1937, while working as a ticket seller in a movie theater in Holguin, Mercedes meets Alejo Santinio. He woos her and, over the objections of his possessive sister Buita, marries her. Alejo’s sister Margarita is married to a cigar salesman in New York. She convinced Alejo to move to America.

Mercedes views the relocation as a chance to get away from Buita. Margarita has a baby (Ki-ki) and Mercedes soon has one of her own (Horacio). Unfortunately for Mercedes, Buita travels to New York when her husband’s band is booked to perform at a club. Buita once again makes Mercedes’ life miserable — a recurring theme in the story.

Although the plot is eventful — it covers almost four decades in the family’s life — the story is character driven. Alejo is a large, affable man with an ability to charm women that he will never lose. He works in a hotel kitchen. He dreams of owning a small store but he lacks the courage or drive to abandon the security of a union job. His willingness to work for low wages assures that he will never be fired, despite drinking on the job with his Cuban co-workers and stealing frozen steaks for his family.

Alejo is a product of his culture — a believer in the supremacy of men and of their entitlement to force their wives to submit to their will — but, despite his futile efforts to win the affection of his sons, he is only comfortable while drinking with his Cuban friends or seducing Cuban women. When Castro comes into power, he is pro-Castro until he becomes anti-Castro, but he’s happy to agree with any political sentiment expressed by a friend over a glass of whiskey.

Horacio is embarrassed by his father and escapes to a more promising life by joining the military. Horacio’s younger brother Hector contracts a serious illness while visiting Cuba with his parents. Mercedes treats Hector as an invalid from that point forward. As he grows up, Hector always feels “as if he were in costume, his true nature unknown to others and perhaps even to himself. He was part ‘Pop,’ part Mercedes; part Cuban, part American — all wrapped tightly inside a skin which he sometimes could not move.” The childless Buita’s scheming to lure Hector away from his mother never ends, and her residence in Miami — a cleaner, more Cuban-friendly city than New York, where she lives in an air-conditioned house with a pool — might assure that she prevails.

Mercedes has justifiable grievances about Alejo’s unwillingness to find a better job, his drinking and violence, and Buita’s constant criticism, but she’s allowed her grievances to overtake her personality. She is defined by her anger and fits of hysteria but — again, perhaps because she is a product of her culture — she would rather complain about Alejo than leave him.

Many novels about dysfunctional families never distinguish themselves from soap operas, but Our House in the Last World offers insights into why families might become dysfunctional. Alcohol is an obvious factor, but meddling by relatives, the difficulty of adjusting to a new life, and the clash of cultural values all play disruptive roles in the Santinio family. There are no monsters in the family. Alejo has been taught to control his wife and sons with violence but he restrains himself and looks for ways to express his love of his sons. Mercedes doesn’t mean to be a bad mother, but she does not have the tools to overcome her helplessness. She instead develops the kind of self-pitying personality that exhausts people. Horacio understands that Buita has poisoned Hector against his mother but he can do little to overcome his younger brother’s resentments.

The novel’s final section is a bit strange, as characters converse with ghosts and debate the reality of their memories and perceptions. One character exists briefly as an orchid. Too much attention is paid to dreams for my reality-based taste. As Oscar Hijuelos’ first novel, Our House in the Last World doesn’t quite have the reach or depth of The Mambo Kings Play Songs of Love, but it explores similar themes. The book is a valuable contribution to the literature of the immigrant experience of American life.

This edition features an introduction by Junot Díaz.

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