The Consuming Fire by John Scalzi

Published by Tor Books on October 16, 2018

The Consuming Fire is the second novel in John Scalzi’s Interdependency trilogy. The Collapsing Empire introduces key characters and sets up the trilogy’s framework. The habitats of the Interdependency are facing a crisis as the Flow streams that link them begin to disappear. The habitats truly are interdependent, with the possible exception of the planet End, resulting in the likely death of their inhabitants when they are cut off from their trade partners.

The Consuming Fire is more satisfying than the first installment because, having established the premise, Scalzi is free to do something with it. In addition to developing a solid plot based on political conspiracies, Scalzi uses the book to teach an allegorical lesson. The collapsing flow streams pose an existential threat, but the members of the power structure — industrialists, religious leaders, and politicians — refuse to consider the long-term implications of that threat because they are only concerned about their short-term goals: acquiring and maintaining wealth and power. They are more interested in propping up the stock market than in acknowledging a threat that will make their stocks meaningless in a few years. They are happy to let the next generation worry about the consequences of their greed. Does that remind anyone of, for example, global warming?

The story fills in more background about how the Interdependency came into being. It’s a clever story involving the manipulation of the superstitious with religious visions and prophesies that were faked by the first emperox. The visions were “meant as parables to help a divided humanity understand the need for a new ethical system that focused on cooperation and interdependency.” The current emperox, Grayland II (f/k/a Cardenia), uses the same trick to control the empire’s citizens in a time of crisis.

The plot follows a grand scheme to overthrow Cardenia that brings together the House of Nohamapetan (which tried to assassinate Cardenia in the first novel) and disloyal elements of her own house (the House of Wu). The few people who are on Cardenia’s side include Kiva, whose house is at odds with Nohamapetan, and Cardenia's lover, the mathematician Marce Claremont, who remains focused on the imminent collapse of the flow streams and the deaths that will follow if humans cannot make their way to End, a planet that is now under the inconvenient control of the House of Nohamapetan.

In a critical subplot, Marce discovers that older flow streams are temporarily reopening, including one that leads to a lost system. Marce travels there with a small team to learn what they can about survival strategies, only to discover that a few plucky humans are still alive, 800 years after their orbital habitats were cut off from supplies. More importantly, he finds a ship from a forgotten system of planets that is operated by a captain whose consciousness was downloaded into the ship’s operating system.

Scalzi combines action with intrigue in a fast-moving novel that suggests important lessons without becoming preachy. Cardenia continues to develop as a character, growing into a role as emperox that she didn’t want, using her wits and marshalling her toughness to take on political opponents who view her as weak and naïve. I look forward to seeing how Cardenia gets the empire out of the mess its short-sighted industrialists and politicians have created.

RECOMMENDED

The Collapsing Empire by John Scalzi

Published by Tor Books on March 21, 2017

The Collapsing Empire is the first book in a trilogy. The last book was recently published. I’ll read it after I finish the second novel, which (like the first one) the publisher kindly provided for review.

Interstellar travel in the Interdependency trilogy is possible because certain places in the universe are connected by navigable streams (“rivers of alternate space-time”) called the Flow. Each stream moves in one direction but is conveniently paired with a stream that moves in the opposite direction.

Humans established a presence in a few dozen star systems by traveling to them via the Flow. In most systems, humans live underground or in orbiting habitats. The humans in each system trade with humans in other systems through the Flow streams. All the humans belong to the Holy Empire of the Interdependent States and Mercantile Guilds, also known as the Interdependency.

While the streams remain stable for a considerable time, they sometimes shift or disappear. The stream to Earth collapsed about a millennium before The Collapsing Empire takes place. Another stream collapsed a couple of hundred years later, causing the loss of contact with the inhabitants of that system. The remaining systems of the Interdependency rely on the Flow for trade, and none of those habitats have sufficient resources to enable their long-term survival if they were cut off from the others.

The human presence at the center of the Interdependency (where flow streams converge) is called Hub, while the habitat that is farthest from the others is called End, because future humans are remarkably unimaginative. End is the only place on which humans actually colonized a planet. If the Flow streams disappear, End is the last hope for survival of the humans living in the Interdependency.

The imperial dynasty for some time has been the House of Wu. The emperox has ruling authority throughout the empire, although the emperox is advised by an executive committee that represents the legislature, the church, and trade unions. The emperox dies early in the novel, making his illegitimate daughter Cardenia the new emperox. It is a job she doesn’t particularly want.

So that’s the background against which the trilogy is set. The background, however, is about to be disrupted. A physicist named Hatide Roynold concluded that the Flow streams would soon rearrange, establishing End rather than Hub as their nexus. Her research was privately funded by the House of Nohamapetan, which hopes to keep her findings a secret so that the knowledge could be exploited to the family’s advantage. Lord Ghreni Nohamapetan on End and Lady Nadashe Nohamapetan on Hub are the novel’s principal villains.

However, a physicist on End, the Count of Claremont, has been secretly funded by the emperox. Claremont, assisted by his son Marce, determined that Roynold was wrong and that all the streams will soon collapse, isolating each system from every other system. Hence, the novel’s title and the driver of the plot.

Nearly all of this novel is a setup for the story to come. It introduces key characters, including Cardenia, Marce, Lady Kiva from the House of Lagos (a family of traders), and the villains. Political machinations include a couple of attempted assassinations on Hub and a rebellion on End. We learn a bit about Cardenia’s insecurities, revealed largely in conversation with the computer-stored constructs of earlier dynasty members who held the position of emperox. A romance or perhaps just lust begins to blossom between Cardenia and Marce, while lust pretty much defines the personality of Kiva.

The novel is of no more than average length, which makes me wonder whether the story might have been better told as a Dune-length novel rather than breaking it into three books. The book does not work as a standalone because no self-contained story is resolved. That makes The Collapsing Empire difficult to review — it’s like reviewing the first third of a novel — given that whether the novel is a worthy read will depend on the success of the trilogy as a whole. I can say, however, that the novel held my interest, that it moves quickly, and that the premise is intriguing.

RECOMMENDED

Redshirts by John Scalzi

Published by Tor Books on June 5, 2012

Redshirts begins as a Star Trek spoof, premised on the notion that if a character who has never been seen before is wearing a red shirt, the character is fated to die. The story follows the Intrepid and its crew. The starship has a regular need to replenish its crew when redshirts die, which they do with some frequency to set up nonsensical plots. As John Scalzi takes pains to point out, the science in some televised science fiction (including, although not by name, the original Star Trek) is less than rigorous, something that puzzles the more scientifically inclined members of the Intrepid’s crew.

Andrew Dahl and some other characters are newly assigned to the Intrepid. The gag is that the characters, not realizing they are in a television show, are perplexed by all the things that don’t make sense, including instant acquisition of knowledge that they never had until the knowledge becomes necessary to the plot.

The concept leads to some amusing moments. Veteran crew members hide in the storage closet whenever they sense that an away mission might be imminent. They understand that if a bridge crew member goes on an away mission with a redshirt, the redshirt will die and the bridge crew member will live, but only after a dramatic scene in which the captain shakes another crew member and demands a solution to a problem before a rapidly approaching deadline. Bridge crew members survive away missions, although one of them inevitably suffers a serious injury before his health is miraculously restored.

Andrew eventually puzzles out the fact that he is in a television show and that the Narrative is created in some other universe. Benefitting from the non-science that governs his existence, Andrew travels to the universe in which the show is made to do something about his fate. The story is a one-note gag but Scalzi milks it for some funny scenes.

The novel makes up for its silliness in the three codas that follow the main story. The first, focusing on the screenwriter who kills crewmembers on the Intrepid, lambasts screenwriters for their laziness. Really, if you’re going to write science fiction, you should make at least a half-assed effort to get the science right. You might also want to avoid predictable plots, like having a redshirt killed by a space monster every week. After all, plenty of good television shows (including some science fiction shows) manage to churn out a quality episode every week, one that’s based on human drama rather than predictable confrontations with aliens. The press of time and working in an unfairly maligned genre shouldn’t excuse writing like a hack.

The second coda follows up on the life of a character in the universe where the television show is written. Although a motorcycle left him incapacitated before Andrew arrived in his universe, he has been given a new life. In the novel’s most serious moment, he questions whether he had more value as an organ donor in his former existence than he has as a functioning human. A message from his other-universe self makes him realize that he shouldn’t blow his chance to become the master of his own fate.

The third coda addresses death and loss. It’s almost as good as the first two, if a bit sappy at the end. The codas are the kind of solid, contemplative writing that Scalzi can do when he’s not trying to be funny.

I’m not sure why Redshirts won a Hugo, although the only other nominee from that year I’ve read (2312) wasn’t great. Maybe it was a slow year. Still, Redshirts has earned a good bit of praise over the years, and given the way the codas balance the humor, a measure of praise is merited.

RECOMMENDED

Head On by John Scalzi

Published by Tor Books on April 17, 2018

Head On is the second novel set in the “locked in” universe that John Scalzi created in Lock In. A virus called Haden’s Syndrome has caused a small percentage of the population to be “locked” inside their bodies. They can think but they can’t move or communicate in normal ways. Those people are called Hadens. Technology, in the form of a neural network, has made it possible for them to inhabit robots called threeps. The government has funded threeps as a health care benefit for Hadens but the funding is going dry.

Head On is a science fiction mystery featuring FBI agent Chris Shane, who happens to be a Haden. Shane has as much personality as soggy tofu; his edgier partner Vann is a better character. Thanks to his wealthy parents who are considering an investment in a Hilketa team, Shane (inhabiting a threep) is in a luxury box when a Hilketa player named Duane Chapman dies.

Hilketa is played on the field by threeps that are controlled by players who are off the field. The object of the game is to cut off the head of a designated opposing player and to score a goal by carrying, throwing, or punting the head over the goalposts. Threeps are usually operated by Hadens because their neural networks give them a reaction time advantage.

The players controlling the threeps aren’t supposed to be injured by their threep’s decapitation, but Chapman dies after his threep’s head is ripped off for the third time in the game. Shane is therefore front and center in a death investigation which arguably falls within the FBI’s jurisdiction because of the interstate nature of Hilketa, whose players are generally in a different state than the venue in which the game is played.

Hadens shouldn’t die from contact with their threeps, so establishing the cause of death is the first problem. Did Chapman’s use of a nutritional supplement that he didn’t endorse have anything to do with his death? Is the league covering something up?

As a science fiction murder mystery, Head On is about average. I enjoyed the science fiction setting more than the actual mystery, which has Shane watching a number of deaths pile up as he tries to piece together clues about how and why Chapman died and how the other deaths are related. The plot is reasonably complex but not wholly engaging, in part because Shane is just a dull guy. Still, Scalzi incorporates enough amusing background details (including vague suggestions about Hadens use threeps to have sex with other Hadens) to make the overall story more interesting than the mystery at its center.

RECOMMENDED

The Dispatcher by John Scalzi

Published by Subterranean Press on May 31, 2017

A dispatcher attends high-risk surgeries and, when it appears that a patient is about to die, steps in and uses a device to kill the patient. The body then disappears and the patient almost always wakes up in his or her home. Insurance companies love this. The patient still needs surgery, but maybe the do-over will be successful.

The device has nothing to do with the resurrection, which happens to all murder victims … but only to murder victims. Everyone else who dies is staying dead. Why the laws of nature have decided to make an exception for murder victims is a mystery to everyone.

It is such a mystery, in fact, that its defiance of reason or even religious dogma (you can believe in resurrection if you want, but why only murder victims?) sends the story into the realm of fantasy. But that’s the premise, and you need to suspend disbelief if you want to enjoy the story.

Tony Valdez is a dispatcher. He’s substituting for another dispatcher in a hospital. After performing a dispatch, the police tell him that the other dispatcher has disappeared and that Valdez seems to be the last person who spoke to him. At that point, the story becomes a mystery (although presumably not a murder mystery since the dispatcher has not resurrected) as Tony is enlisted by a police detective to help find the missing dispatcher.

The plot is reasonably clever and, given the brevity of the story, the characters are sufficiently developed. I wouldn’t shelve it with John Scalzi’s best works, but I can recommend it as a fun diversion … assuming you can buy into the premise.

Note: I review without regard to price because prices fluctuate and books can often be purchased at a reduced price as remainders or from stores that sell used books. They can also be borrowed from libraries or friends. The Dispatcher is available in a "deluxe" hardcover edition that, at the time of this review, is selling on Amazon for about $24. That's a lot of money for a 128 page book, but it may be sufficiently deluxe to appeal to collectors and fantatic Scalzi fans. The Kindle edition, on the other hand, is $5.99 at this writing. I have only seen the text (which doesn't seem like it would easily fill 128 pages) in an ePub review copy, and I cannot comment upon what makes the hardcover edition "deluxe."

RECOMMENDED