An American Spy by Olen Steinhauer

First published by Minotaur Books on March 13, 2012; reissued by Minotaur on March 3, 2020

An American Spy is the last novel in the Tourist trilogy, following The Tourist and The Nearest Exit. It could be read as a standalone, but doing so would deprive the reader of important context. This review includes spoilers concerning the second novel.

The trilogy follows Milo Weaver, who works as a Tourist for a small and very secret unit of the CIA. Tourists run around the world executing American policy by executing people whose interests do not align with American interests as judged by the people in charge of the Tourists. While they make other kinds of mischief, assassination is the key to their game.

Milo’s background — his Russian father is now running a spy agency for the United Nations, an agency so secretive that the United Nations doesn’t even know about it — is developed in The Tourist. In The Nearest Exit, Milo gets a new boss, Alan Drummond, and takes on Chinese spymaster Xin Zhu. Near the novel’s end, Zhu arranges for most of the Tourists to be murdered and for Milo to be shot.

An American Spy begins with Drummond losing his job. Drummond wants revenge against Zhu and would like Milo to join his team. When Milo says no, Drummond goes to London and then disappears. Not long after that, his wife disappears. And not long after that, Milo’s wife and daughter are gone. Milo assumes that they have all been taken by Zhu as a consequence of Drummond’s failed scheme.

Plot twists make An American Spy an engaging read, but the novel’s structure accounts for its success. While always told in the third person, the novel frequently shifts its focus, often backtracking to show events that were first perceived by one character from the perspective of a different character. In that way, the pieces of the jigsaw slowly rearrange to display a new picture, one that evolves as details are added until it becomes something quite different than it first seemed. Judging by Amazon and Goodreads reviews, a number of readers thought the changing perspectives were confusing. I thought they were the novel’s strength.

A German intelligence officer named Erica Schwartz, who plays a central role in The Nearest Exit, furnishes an early perspective in An American Spy. Milo’s sister and three surviving Tourists play important roles in the story (Letitia Jones, who exudes both sexuality and danger, also adds a bit of humor), but the perspective of Xin Zhu is the most interesting. Zhu is playing not only against Drummond and Milo, but against the Chinese government, which may have been infiltrated by an American spy. Zhu’s machinations make him seem invincible, capable of outwitting anyone. With Drummond and Milo apparently at each other’s throats, it seems that Zhu will attain supremacy in the international espionage game. Of course, the reader knows that a final plot twist will come along. The surprising resolution is a delight.

Olen Steinhauer is among the best of a very small number of American writers who consistently produce excellent espionage novels. While An American Spy wraps up the trilogy, it leaves room for the story to continue. Minotaur has reissued the trilogy, staggering the rerelease of each volume, leading up to the publication of a new installment later in March. Fans of spy fiction will welcome the return of Milo Weaver.

RECOMMENDED

The Silent War by Andreas Norman

First published in Sweden in 2017; published in translation by Quercus on September 3, 2019

The Silent War differs from most espionage thrillers, in that it pits two allies against each other. Whether spy agencies should treat any nation as an ally, as opposed to a competitor to spy upon, is one of the book’s salient questions.

Betrayal is the constant theme of spy novels. Betrayal in the form of infidelity is central to The Silent War. Jonathan Green works for MI6 and is having an affair with Frances because their sex is so much better than he has with his wife Kate. Kate suspects Jonathan is seeing someone but she isn’t sure. As the station chief in Brussels, Jonathan has plenty of reasons to be secretive. One of his secrets involves Hercules, an operation proposed by Robert Davenport, head of the MI6 Middle East Department and Frances’ husband. There are leaks galore in the Brussels station, so Hercules will not be a secret for long.

The House in Turkey, near the Syrian border, is a part of Operation Hercules that even the Ministry of Defense doesn’t want to know about. Based on stolen documents, a Swedish intelligence operative named Bente Jensen learns that the Brits are using the House to interrogate prisoners in unlawful ways. That this comes as a shock to anyone in an intelligence service is hard to swallow, but MI6 is willing to go to any length to keep the House a secret, particularly from British politicians who might find it embarrassing.

Robert has a Clash of Civilizations mindset. Jonathan is more reasonable and therefore has reservations about the House, but he must retrieve the documents if he is to keep his job. Jonathan is also tasked with contacting an asset in Syria, a dangerous mission that would not have been assigned if Jonathan had kept it in his pants.

Meanwhile, Bente’s husband Fredrik, like Kate’s, is sleeping with another woman. It is no coincidence that the woman has turned her amorous attention to Bente’s husband, nor is it a coincidence that Bente’s mobile phone has been attacked by a virus. That attack adds to the institutional distrust of Bente, who (in the opinion of her superiors) exercised questionable judgment by accepting documents purloined from the British, potentially creating a diplomatic crisis. Bente is keeping the leaked documents in a safe in her home, which seems like an unprofessional place to stash top secret goodies.

British spies are part of the rich literary tradition of espionage novels. Swedes, not so much. The change of pace, coupled with the diplomatic difficulties of one European nation spying on another, is the most interesting aspect of The Silent War. The focus on cheating husbands and clandestine houses reserved for torture is more typical fare. The Silent War holds few surprises as it addresses those themes.

Characterization is not neglected, although the hand-wringing spouses of both genders who fret about their marriages again offer few surprises. The novel does have some stimulating action scenes near the end. Since they involve agents of friendly powers shooting at each other, they stretch the limits of plausibility. While The Silent War isn’t top shelf spy fiction, it does just enough to warrant its placement on a lower middle shelf, worthy of being consumed after better spy novels have been devoured.

RECOMMENDED WITH RESERVATIONS

Agent Running in the Field by John Le Carré

Published by Viking on October 22, 2019

No writer gives espionage a more human face than John Le Carré. His protagonists have regrets, but they make up for their mistakes with competence and an unfailing sense that doing the right thing is more important than doing what their bosses expect.

Nat is married to Prue. In their prime, they were both stationed in Russia, where they spied for the Secret Intelligence Service. Now Nat has an SIS desk job and Prue is a human rights lawyer. They live quietly in Battersea, have a daughter, and are generally happy. Events in this tight novel will test their contentment.

Nat is a badminton champ at Battersea’s Athleticus club. A young man named Ed Shannon has recently joined the club. He challenges Nat to a match because Nat is the best. They begin a sort of friendship, although Nat and Ed are both vague about their employment. Nat even brings a co-worker named Florence to a mixed doubles match, pretending that he doesn’t really know her. When Florence abruptly quits her job, the reader will suspect that the relationship between Nat and Ed and Florence will turn out to be bad for Nat’s career. That suspicion will be warranted, but the plot follows a surprising path.

Bryn Jordan, Nat’s former station chief in Moscow and currently “ruler-for-life of Russia department,” decides it is time to put Nat out to pasture. Nat doesn’t fit the new image of SIS, meaning he isn’t a young man with advanced computer skills. Rather than kicking Nat to the curb, Jordan sends him to London General. Its current head is Dominic Trench, who was station chief in Budapest when Nat was posted there. Dom is the kind of man “who takes you aside, anoints you his only friend in the world, regales you with the details of his private life you’d rather not hear, begs your advice, you give him none, he swears to follow it and next morning cuts you dead.”

Dom puts Nat in charge of the Haven, an all-but-defunct substation of London General, “a dumping ground for resettled defectors of nil value and fifth-rate informants on the skids.” Although it is a dead-end job, Nat endeavors to undermine Dom and Bryn by actually accomplishing something. He begins with a sleeper agent, a defector who is suddenly called to service by his Russian masters.

That story unfolds in the entertaining style a reader would expect of Le Carré, but it takes off when it circles back to Nat’s relationship with Ed. Naturally, Ed falls under suspicion and naturally, given the suspicious minds at work in SIS, Nat is regarded as a potentially culpable partner in crime. And naturally, everyone at SIS has it wrong, but it will take some quick thinking and astute tradecraft for Nat resolve the problem as best he can.

Nat, Prue, Ed, and Florence are in the vein of Le Carré’s most likeable characters. The “enemy” is kept backstage — for a time, it isn’t even clear which country is using its intelligence efforts against Britain — but Nat’s real enemies, as is often the case in a Le Carré novel, are the bureaucrats and politicians who have risen to the level of their incompetence. Brexit lurks in the background, as does Donald Trump, both mucking up the ability of Britain and America to work together to achieve common goals.

Even if his best work is behind him — and his best is the best — Le Carré remains the reigning champion of the espionage novel. He is still an astute observer of the human capacity for deception as well as the human fallibility that allows deceivers to triumph. He wrote this novel at the age of 88, but he has not forgotten, and refuses to condemn, the virtues of youthful idealism. Agent Running in the Field suggests that aging people can use their own brand of idealism to thwart, in some small way, a system that rewards duplicity and that confuses patriotism with blind obedience to rules that serve leaders, not the country.

RECOMMENDED

[Note: If you believe the reviewers (and I use the term loosely) who gave this novel one star on Amazon because it does not glorify Trump, you might conclude that the book is an anti-Trump diatribe. In fact, Trump barely rates a mention, although CIA machinations do play a role in concert with Brexit. The book is a best seller because it deserves to be, regardless of the mindless attacks launched by the right wing extremists who feel duty bound to attack anything they perceive as being even vaguely liberal.]

The Nearest Exit by Olen Steinhauer

First published in 2010; reissued by Minotaur Books on February 4, 2020

The Nearest Exit is the second novel in Olen Steinhauer’s Milo Weaver trilogy. The trilogy was recently reissued because a fourth novel will soon be added to the series.

As we learned in The Tourist, Milo does nasty work for a branch of the CIA that few people know exist. Together with the Tourist Agents who research and support their missions, Tourists travel around the world imposing America’s will on foreign entities, usually by killing people the Tourist masterminds have come to dislike.

Milo didn’t seem to have or want much of a future as a Tourist by the time the first novel ended. He wanted to devote himself to his wife and daughter, not to the whims of his agency. When the new boss wants Milo to return, Milo finds he has little choice. Milo begins with some baby assignments but is eventually charged with killing a 15-year-old girl named Adriana Stanescu. Milo wonders if he is being asked to kill a child to prove his loyalty, but having a daughter of his own, he finds a way to circumvent the mission without jeopardizing his career. To achieve that goal, he enlists the help of his father, who is running a little spy operation of his own for the UN, unbeknownst to pretty much everyone except Milo.

Adriana’s eventual fate pits Milo against his boss, his father, and a highly placed German law enforcement agent named Erika Schwartz. Erika is morbidly obese and a serious alcoholic, although she reserves her heaviest drinking for the end of the workday. She’s also astonishingly good at her job, making her the most intriguing supporting character in the book.

Erika has a video of Milo kidnapping Adriana, which turns her into one of Milo’s many adversaries. Adriana’s father is another. But the most formidable of the group is a Chinese spymaster who may or may not have planted a mole among the Tourists — or perhaps among the few Senate aides who are cleared to know about the Tourist program.

The plot combines traditional themes of betrayal with a clever Chinese scheme that has Milo more than once changing his mind about the existence of a mole. By the time the action winds down, things are not looking good for the Tourists. Milo’s future seems particularly bleak, as does his marriage, which has not benefitted from his employer-imposed secretiveness or from his absences from the family as he charges off to make the world safer. Even the CIA-approved marriage counselor has some doubts about Milo’s ability to focus on his family.

Unlike the first novel, the story ends on something of a cliffhanger. That’s not unexpected in a trilogy and, having read the first two, I can’t imagine that any spy fiction fan would forego the pleasure of reading the third installment. The combination of strong plotting, international intrigue, and sharp characterizations enshrine Steinhauer in the top echelon of American spy novelists.

RECOMMENDED

The Tourist by Olen Steinhauer

First published in 2010; reissued by Minotaur Books on November 7, 2019

The Tourist was first published in 2010. I try to read as many reputably published spy novels as I can find, but 2010 was a bad year in my reading life. Several years later, I read and enjoyed a more recent novel by Olen Steinhauer, but I didn’t make it back to the trilogy that began with The Tourist. Fortunately, Minotaur is reissuing trade paperback editions of the Tourist novels and has made them available for review, presumably to promote the publication of a fourth Tourist novel next year. I am grateful for the opportunity to catch up on some spy novels that I didn’t know I’d missed.

Charles Alexander is an American spy. More specifically, he is a Tourist, a CIA agent who travels abroad and makes deadly mischief (as opposed to the Travel Agents who stay in America to facilitate the Tourists). His real name is not Charles Alexander, but he’s used that name for two years.

Taking a break from pondering suicide, Charles goes to Slovenia in search of a station chief who disappeared with a pile of money. The chief was supposed to give the pile to an informant in exchange for the location of a Bosnian war criminal whose capture would put a feather in the American cap. Charles’ contact, who works for the chief, is Angela Yates. Charles quickly finds evidence suggesting that the station chief, despite his long and loyal service, is both a thief and a murderer. After tracking the station chief to Venice, events take a wrong and violent turn, convincing Charles it is time to change his life.

Six years later, Charles is Milo Weaver, a man with a wife and daughter. He has promised to stay home as much as he can. Milo has been tracking an assassin known as The Tiger, who crossed his path in Venice. An encounter with The Tiger takes a strange turn that causes Milo to be suspected of a crime.

Soon after that meeting, Milo travels to Paris to set up Angela Yates, who might or might not be passing secrets to the Chinese. The plot threads involving Yates, the Chinese, the Tiger, and the Tiger’s client quickly entangle. After some nicely written action scenes, Milo finds discovers that lies he told about his past are disrupting his career and marriage. If help is to arrive, it will come from an unexpected source. By the end of the novel, Milo is something of a mess.

Despite being the opening novel of a trilogy, the story is self-contained. The Tourist combines thoughtful character development with a credible, intriguing plot. The novel moves briskly, not because it is action-filled (although it has some adrenalin-boosting scenes), but because the story and characters are so interesting that the reader is motivated to learn what happens next. In fact, The Tourist motivated me to move on to the second novel of the trilogy, which I will do with pleasure.

RECOMMENDED