Hammer to Fall by John Lawton

Published by Atlantic Monthly Press on March 10, 2020

Hammer to Fall is the third Joe Wilderness novel, but I have not been so fortunate as to read the first two. John Lawton has an unusual take on the spy novel genre. Wilderness (whose birth name is Holderness) is a bit of a rogue, a patriot when necessary and a hustler when opportunity presents itself. Spying suits his personality because he’s a born deceiver, but so does filling his safe with ill-gotten currency. The story is amusing for that reason, but it is far from a comedy. Hammer to Fall creates suspense in the best tradition of spy novels, including a couple of classic prisoner exchanges on bridges.

The novel has many moving parts and covers a significant span of time. Central characters weave in and out of each other’s lives as the story unfolds.

Joe begins the novel as a Schieber (black marketeer). In 1948, Joe is a Russian-speaking British corporal who does business with Eddie Clark and an American named Frank Spoleto, selling stolen coffee to a Russian named Kostya Zolotukhin. Kostya’s mother is a general in the NKVD known as the Red Widow. She rips off Joe and the Schiebers in a deal for peanut butter, leaving Kostya to face their wrath.

Spoleto goes on to be a CIA agent. Joe’s lover at the time is woman named Nell Burkhardt who was “raised by thieves and whores back in London’s East End” yet has a moral compass that Joe lacks.

Fast forward to 1966 and Joe is a field agent for MI6 who has seemingly misplaced a Soviet agent named Bernard Alleyn during a prisoner exchange. What actually happened to Alleyn plays a key role in the novel’s resolution. As punishment for apparently bungling his mission, Joe is sent to Finland, where nothing is happening. Joe passes the time by reengaging with Kostya in a black-market vodka operation until he stumbles upon information that might suggest an actual Soviet plot against the West. Along the way Joe gives a career assist to a bright woman named Janis Bell.

Joe next travels to Prague after the Soviet invasion of Czechoslovakia, posing as a tractor salesman. The Prague station chief, whose wife slugged a Russian spy, is spirited away and replaced by an old friend of Joe. Another old friend, Freddie Troy, who also has a feisty wife, goes to Prague as the UK ambassador. All of this leads to the story’s culmination, which circles to the beginning and brings back characters from Joe’s past in another tense scene on a bridge between East and West.

Lawton’s characters have a realistic (not to say cynical) view of the world that they sometimes express with a bit of snark. For example, when Troy is told that his mission in Prague is to show support for democratic rebels while quietly turning most of them over to the Russians because “we can’t put up tents on the embassy lawn” to house them all, Troy asks why it is important to demonstrate support publicly if “in private you’re getting ready to dump them.” Of course, Troy’s wife promptly puts up tents in the embassy lawn.

The plot is also realistic in that it doesn’t involve a series of chase scenes and shootouts. Joe is bored much of the time because spying involves a good bit of waiting and watching. There’s little chance for the reader to be bored, however, because Joe fills his time in interesting ways. And moments of fast action arise with sufficient frequency to give the book a good pace.

Complex characters, a fascinating and wide-ranging plot, and a terrific sense of atmosphere make Hammer to Fall a pleasure to read. The book is self-contained, but the ending sets up the next installment with a mini-cliffhanger.

RECOMMENDED

Hard Cash Valley by Brian Panowich

Published by St. Martin's/Minotaur Books on May 5, 2020

Dane Kirby has lung cancer. It’s at stage two, but he doesn’t plan to get treatment. Years earlier, he lost his wife and daughter in a car accident after he hit a deer. Kirby has lost his enthusiasm for life. He is living with a woman but hasn’t told her about the cancer. He isn’t quite sure how to break the news, and saying it out loud would make it real. In any event, he never let go of his wife and has never fully invested in the new relationship.

Kirby works for the Georgia Bureau of Investigation after spending most of his career fighting or investigating fires. He’s happy to end his years with a nice, obscure desk job. That plan goes up in smoke when FBI Assistant Director August O’Barr summons him to a crime scene in Florida. Arnie Blackwell was murdered in a motel room and his body was set on fire. The case appears to have a connection to Georgia, so Special Agent Roselita Velasquez is temporarily detached from her partner, Geoff Dahmer, and assigned to work with Kirby. Velasquez isn’t happy about the assignment. She’s a feisty, interesting character who makes some surprising decisions as the story unfolds.

An ordinary murder doesn’t seem like a federal crime, but a large amount of cash was stolen from the victim. The money was won in a cockfighting event in Georgia. Arnie managed the improbable feat of betting correctly on every contest. To discover the secret of his success, he was tortured and killed by two mobsters from the Philippines, where gambling on cockfights is a way of life.

That setup sends Kirby and Velasquez on an investigative path that leads to unexpected destinations. Their primary goal is to find Arnie’s autistic brother William, a goal shared by a formidable Filipino killer and a mysterious figure who occasionally commits a murder of his own.

The plot offers an intelligent blend of action, mystery, and suspense. Hard Cash Valley is one of those rare thrillers that actually thrills, in part because the story never loses its credibility. The threats that Kirby faces always seem genuine, and he’s not the kind of hero who is going to fight his way out of a jam. Kirby has to rely on his smarts, and he has just enough of those to do his job well.

The plot is sufficiently complex to keep the reader guessing but not so byzantine that the reader will lose track of details. A subplot involves Kirby’s estranged friend Nat Lemon, who seems to have committed a murder that is unconnected to the main plot. Connections eventually develop that tie the stories together.

Characterization is well above average for the genre. Velasquez is a lesbian so she doesn’t enter into a predictable romance with Kirby. That’s one of many good choices that Brian Panowich made to tell a fresh and convincing story. The resolution might depend on more karma than the world generally offers, but it’s difficult for a reader to complain about feeling good at the end of a novel.

RECOMMENDED

The Paladin by David Ignatius

Published by W. W. Norton & Company on May 5, 2020

A CIA cyberintelligence agent named Michael Dunne is assigned to infiltrate a group called Fallen Empire, which is suspected of engaging in WikiLeaks-like activities. The main person of interest is an American named Jason Howe who claims to be running a news organization. The CIA regards it as an enemy intelligence service, in part because it is assisted by a team headed by an Italian computer nerd. Dunne understands that the assignment is probably illegal and against CIA policy because (1) the CIA isn’t supposed to spy on Americans and (2) the CIA has promised not to mess with journalists. But the DDO, George Strafe, assures Dunne that the CIA will have his back so he breaks the law anyway.

Before the operation goes sideways, Dunne falls into a honeytrap and finds himself on the wrong end of a video camera with his pants down. After the operation goes sideways, the video gets sent to his wife (whose image is also deepfaked into a separate salacious video) and Dunne is prosecuted for a couple of federal crimes. Dunne’s pathetic excuse for a lawyer wants him to plead guilty before he conducts an investigation. The only good advice that the lawyer gives Dunne is to apologize for being a bad boy at sentencing. Dunne does just the opposite, protesting that his misfortune is all the fault of his superiors, which predictably results in a year in prison rather than probation. He loses wife and daughter and emerges from prison a bitter man, but at least he has connections.

Dunne starts his own cybersecurity firm and promptly makes it his mission to seek revenge. His primary targets are Howe and Strafe. Along the way he discovers a scheme to disrupt financial markets using nasty technology, including the deepfake tech that was used against his wife. The plot is a moderately interesting variation of stories that have told many times before.

I assume David Ignatius wants the reader to feel some sympathy for Dunne, but I felt none. He broke the law and blamed his bosses for his decision to do what he knew was wrong. Then he fell into an obvious honeytrap and blamed the people who videoed him. Only rarely and reluctantly does Dunne acknowledge that he is at least partially responsible for his own misfortunes. Just a few chapters into The Paladin, I gave up caring about Dunne. He constantly portrays himself as a victim, but he’s primarily a victim of his own selfishness and stupidity.

Near the novel’s end, I thought Ignatius might be setting up a truly daring ending, but the actual ending is predictable. The Paladin moves quickly and the story isn’t dull, but a mediocre plot, a disagreeable protagonist, and Ignatius’ lackluster prose offer little reason for thriller or spy novel fans to spend time with the novel. The Paladin isn’t an awful book, but there are better choices.

RECOMMENDED WITH RESERVATIONS

American Dirt by Jeanine Cummins

Published by Flatiron Books on January 21, 2020

So much of American Dirt is either tense or heartbreaking that it is a relief to reach the end. This is such a powerful and moving novel that only the emptiest of hearts could remain untouched by the story.

American Dirt imagines that the most ruthless cartel leader in Acapulco, a man named Javier Fuentes, is a sensitive soul and an avid reader, a man who discusses poetry with his daughter and literature with a bookstore owner named Lydia Pérez. Lydia’s husband, Sebastián Pérez Delgado, is a reporter who does not let threats deter him from writing about the cartels. When he writes about Javier, cartel members murder Sebastián and sixteen members of his extended family. Only Lydia and her son Luca escape. Lydia eventually learns the reason for Javier’s extreme response, but her immediate need is to flee before Javier’s cartel kills her son.

American Dirt follow Lydia on her harrowing journey from Acapulco to the United States. As Lydia is trying to understand how to ride on top of a northbound train (la Bestia), she meets two teenage girls, Rebecca and Soledad, who are fleeing sexual violence in Honduras. The teens encounter more sexual violence on their northbound journey. Those scenes are implied — the text isn’t graphic — but American Dirt is not a book for the squeamish. The sense of realism that Jeanine Cummins conveys is one reason the story is so emotionally distressing.

The narrative is electrifying. Lydia navigates from one danger to another — boarding moving trains with a small child, eluding cartel members and lesser criminals, losing her money to corrupt authorities who kidnap and shake down migrants under the pretense of arresting them, following a coyote on a trek through the Arizona desert that is made more dangerous by flash floods and armed vigilantes who are itching to shoot migrants. The reader rarely has time to take a break from worrying about Lydia and Luca, as well as the other characters who have placed their lives at risk to cross the border illegally because they truly have no better choice.

For all its tragedy, American Dirt reminds the reader that instincts of decency still prompt people to help the less fortunate, sometimes at risk to their own well-being, even as indecent people exploit or attack them. The book is filled with small moments of hope, as people who live in poverty sacrifice to help others who are even less fortunate.

In an Author’s Note at the end of American Dirt, Cummins writes that the world has enough novels about the violent men who call themselves heroes. Cummins says she is more interested in victims, but (although Cummins doesn’t say it) Lydia and Rebecca and Soledad rise above the status of victims. They are heroes because they fight not just for survival, but to preserve their humanity. While some victims shut down or seek revenge when they are wronged, Lydia demonstrates heroic strength; “she feels every molecule of her loss and she endures it. She is not diluted, but amplified.”

Cummins’ supple prose is just as remarkable as the story. American Dirt perfectly illustrates the horrors suffered by refugees and other migrants without preaching or politicizing. It is a book featuring almost no Americans that deserves to become an American classic.

HIGHLY RECOMMENDED

Jack by Connie Willis

First published in 1991; published by Subterranean Press on April 30, 2020

Nominated for both a Hugo and a Nebula, Jack is a novella by the incomparable Connie Willis that Subterranean Press has reissued in a signed, limited edition. It is one of many stories that Willis set in London during the Blitz. Some of those are time travel stories, but Jack is more a work of horror than science fiction. The Blitz is the novel’s true horror; nothing a lone man could do can compare to the carnage of war. Willis has a knack for conveying the terror of being present at a time when falling bombs and crumbling buildings caused indiscriminate death.

The narrator is named Jack. He works as an air-raid warden, helping rescue people who are buried under the rubble after the bombs fall. Jack tells us about another man named Jack who has recently come down from Yorkshire to do the same work. Jack Settle is particularly adept at finding people who are trapped. Another person in a different ward with the same talent is called a “bodysniffer” and claims the ability to read the minds of the people who are trapped.

So can Jack Settle read minds? Can he distinguish the scent of the living from the dead? Is his hearing exceptionally acute? Narrator Jack begins to understand how Jack Settle finds so many bodies, why he refuses to eat or drink, and why he disappears (supposedly to go to his day job) before the sun rises.

Jack Settle’s quirks will suggest an obvious explanation to fans of horror novels. Jack the narrator comes to that conclusion and regards Jack Settle as a monster. Maybe he is, but how should the reader balance Jack Settle’s nature against all the lives he saves? Is Jack really such a bad guy when compared to the men on both sides of the war who drop bombs that set cities on fire and tear children to pieces? Is he worse than the shopkeepers who keep young women working until closing time, even after the air raid sirens blow, forcing them to run through the blackout in the hope of finding shelter? People do what their natures compel them to do; whether that makes them monsters is a matter of perspective.

Willis gives life to a half dozen characters besides the Jacks, the names of whom will be familiar to readers of a famous horror novel. They are ordinary people whose ordinary lives are disturbed by the extraordinary forces of history. The characters are transformed by their experiences, in ways both big and small — a wallflower gains self-confidence, a man who always wanted to write produces a newsletter, a delinquent makes his father proud by earning a medal in the RAF. Even Jack Settle is transformed, because he finally has an opportunity to use his nature for a worthwhile purpose. As always, Willis takes a deep and meaningful look at what it means to be human, even when she writes about a character who might not be.

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