The Shipshape Miracle and Other Stories by Clifford D. Simak

Published by Open Road Media on July 4, 2017

The Shipshape Miracle and Other Stories is volume 10 in the Complete Short Fiction of Clifford D. Simak. It doesn’t include Simak’s best stories, but all of the stories are good, making it one of the best volumes in the series.

In “The Money Tree,” money does grow on trees. Rich people have them, which is why they have walls and fences surrounding their property. But as Chuck Doyle learns, stealing from a money tree isn’t easy when it is protected by an alien. This is a light and amusing story and, like many Simak stories, it comes with a moral. It is also one of Simak’s many stories about kind aliens who are better than the Earth deserves.

“Shotgun Cure” is typical Simak in its focus on small towns and simple lives. A “one-horse doctor in a one-horse town” is approached by an alien who gives him the cure for all disease. Soon the entire planet is vaccinated, but it turns out that the cure comes with a price.

“Paradise” is one of the stories that comprises City. This is the story in which Fowler returns to human form to spread a utopian message about humanity’s future that is suppressed for fear that people will listen to it.

“The Gravestone Rebels Ride by Night!” might be the longest of Simak’s westerns. The hero is a frontier lawyer.

“How-2” imagines a future in which “how to” kits supply instructions and materials for everything from home dentistry to making a robotic dog. A fellow named Knight plans to build a dog but he gets a kit for a robotic person by mistake. Lawyers also play a role in this story, although they are robot lawyers who bring much needed logic and reason to the law. The courtroom scene echoes themes from some of Asimov’s robot stories, but with a unique spin. A moral of many Simak stories, including this one, is that honest hard work is a good thing, and that trying to avoid it will only lead to trouble. Too much leisure may even take the value out of life. This story was new to me, but it is on my growing list of favorite Simak stories.

“The Shipshape Miracle” tells of a lawless man who needs a miracle to leave the isolated planet on which he is stranded. The miracle comes in the form of a ship that has merged with a human (an early example of transhumanism in science fiction), but all miracles come with a price. The story has the sort of ironic ending that would have made a good Twilight Zone episode.

“Rim of the Deep” is one of Simak’s early stories, and for that reason is written in a pulp style that he largely abandoned in his later years. The story is sort of an underwater western with a gangster element and a Venusian.

Simak hinged more than one story on the relationship between immortality (or longevity) and the need to find a place to put all the people who haven’t died. Like other Simak stories that explore the theme, “Eternity Lost” (a story about a corrupt politician’s attempt to gain another life extension) asks whether longevity is a blessing or a curse and suggests that people only appreciate life because they know it has a relatively short span. Simak often gave his stories a twist ending, and is one of the better twists.

The future of an evolving mankind was another frequent Simak theme. In “Immigrant,” Seldon Bishop visits Kimon, a world that only welcomes the smartest immigrants from Earth and that has eschewed foreign trade or diplomatic relationships with other planets. Earth’s government hopes that Bishop will explain why that’s true, although no other emigrant to Kimon has chosen to do so. While aliens in Simak’s stories are usually kinder and wiser than humans, the aliens on Kimon are smug and condescending, perhaps an inevitable trait of a highly-evolved race. But the story is about the human qualities of vanity and pride, as well as the human capacity to set those qualities aside in order to gain knowledge and wisdom.

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Mrs. Fletcher by Tom Perrotta

Published by Scribner on August 1, 2017

The point of Mrs. Fletcher, I think, is that life is always changing, no matter what stage our lives have reached; that we are always called upon to make choices as our circumstances change; that a fair percentage of those choices will turn out to be bad; and that we do the best we can with the choices we make. Of course, unfortunate choices can be really funny when they’re made by other people, and the only point of Mrs. Fletcher might be the laughter it inspires as the characters blunder forward with their lives.

Eve Fletcher works in a community center for the elderly, a fertile source for Tom Perrotta’s brand of comedy. Eve’s self-absorbed son Brendan is off to college, leaving behind his self-absorbed girlfriend after breaking up with her by text. For a few years, Eve has been divorced from her selfish husband Ted, who left her after meeting a Casual Encounter on Craigslist. Eve is now preparing for an empty nest by posting positive messages on her Facebook status and waiting for encouraging “likes” from her 221 friends. But Eve is needy and immediately feels abandoned, particularly when (after day 3) she stops receiving her promised daily text messages from Brendan. All of this motivates Eve's desire to leave her old self behind, a desire that manifests in sexual interests beyond her limited experience, as she considers sex with a young college student, sex with a woman, and sex in a threesome.

In the first part of the story, Perrotta alternates his focus between Eve and Brendan, telling Brendan’s story in the first person. Brendan’s introduction to college life gives Perrotta a chance to show off his ear for youthful dialog. Brendan’s college goals are to party as much as possible, study as little as possible, and get a degree (maybe in Econ) that will allow him to earn six figures as soon as possible. As his college advisor tells him, “Good luck with that.”

Where Eve’s life has changed by becoming an empty nester and Brendan’s has changed by losing the security of living at home, a third changed life is represented in Amanda Olney, the activities director in the senior center where Eve works. Unlike Eve, who has learned to fulfill her needs by surfing porn, Amanda hooks up for one night stands that make her feel good at the time but sad the next day. The novel eventually turns into a romp as the characters pair up in expected ways to engage in unconventional acts.

Perrotta’s socially observant humor shines in his depiction of Eve’s gender studies class (an evening class that gets her out of her house) and her emerging interest in MILF pornography; the casual racism and homophobia of seniors who are stuck in the 1950s; the tribulations of middle-age dating (and the dilemma faced by women of a certain age whose standards for men exceed their ability to attract those men); and Brendan’s politically incorrect cluelessness about women.

The story’s mildly serious elements include Brendan’s autistic half-brother; Brendan’s jealousy at the relationship his father has forged with his new family; the social construction of gender; the judgmental social convention of “age appropriate” relationships; high school bullying; the inability to let go of insignificant marital grievances; and the difficulty of moving forward after making a bad decision about life.

All of that comes together in a playful novel that is fun to read even if follows a formula that leads to predictable outcomes. Characters will do something foolish, learn a lesson from their foolish behavior, and perhaps find true romance in unexpected places. The novel flirts with unconventional thought while taking few chances, but it delivers the laughter and familiar insights that Perrotta fans expect.

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The Devil and Webster by Jean Hanff Korelitz

Published by Grand Central Publishing on March 21, 2017

The Devil and Webster is a fascinating (if not entirely convincing) look at the liberal president of a highly-regarded liberal arts college as she is confronted with a crisis involving well-meaning students, a manipulative student activist, a professor who is denied tenure, and trustees who (apart from the right-wing trustee who despises her) are guardedly supportive of the president’s inclusive and understanding management style.

Naomi Roth is president of Webster College, a highly regarded institution that began to evolve a liberal tradition in the 1960s after departing from its former tradition as a party school for underperforming white racist males. As Dean of Women, Naomi gained respect by managing her first crisis: a biological woman who identifieD as a man chose to live in a traditionally all-female housing unit to the dismay of two of its other residents. After nine years as president, a new crisis emerges, one in which a Webster student named Hannah, who happens to be Naomi’s daughter, becomes deeply involved. Also involved is Omar Khayal, a student who was admitted because of his apparent ability to overcome hardships in the Middle East, but who isn’t doing well in most of his courses — apart from the top grades he receives from a professor who is being denied tenure due to lax scholarship and plagiarism.

Naomi is frustrated because the protesting students won’t meet with her and the tenure denial they are protesting is not something Naomi can explain without violating confidentiality rules and exposing Webster to a lawsuit. Much of the novel is devoted to Naomi’s response to the growing protest, an ugly campus incident, her deteriorating relationship with her daughter, and a collateral issue that is affecting her friendship with Webster’s Dean of Admissions.

Naomi is a decent person with strong progressive values, but she’s come up in an academic tradition that has blinded her to certain realities. She’s living a sheltered academic existence and while she is justly proud that Webster is tolerant and diverse and culturally sensitive, she’s not aware of what students are actually thinking. Only near the end of the novel, when a Native American conference that is meant to celebrate the school’s transformation is finally held, does Naomi come to realize that, despite her liberal values, she may be clueless about the lives of people who are not like her.

Or it may be that young people yearn to feel special, and airing unfounded grievances is a way to accomplish that goal. Naomi isn’t sure what to believe, but that’s the quandary we all share, living inside heads that can only hold one mind. And the point of higher education, the novel reminds us, is to make sure that mind is open to new ideas and possibilities. The important thing, one character suggests, is to take the long view, to realize we do what we can to make the world better, and that the world will keep on changing, and hopefully improving, long after we are gone.

I admire the story’s sense of atmosphere, its elegant prose, the careful attention to character. I felt little emotional connection to the plot. Like Naomi, the book is engulfed in its academic setting and perhaps a bit detached from life outside of that narrow prism. The plot is so carefully constructed that it never quite resonates as real. Some conflicts, particularly involving Omar, seem contrived, although other conflicts are more convincing. In the end, however, the storytelling has enough power and grace to earn an easy recommendation.

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Tomorrow's Kin by Nancy Kress

Published by Tor Books on July 11, 2017

Irrational hatred of aliens is common enough in America. An irrational hatred of space aliens fuels Tomorrow’s Kin, a first contact novel that has Americans and most of world’s population blaming aliens for problems they did not cause. Although the aliens are of human origin, Nancy Kress’ point (I assume) is that irrational hatred of the “other,” stoked by politicians, may be inevitable in a country that prefers bumpkin logic to rational thought.

The other important theme in Tomorrow’s Kin is the fragility of an ecosystem. The sudden removal of one species from the Earth may have a devastating impact on the world economy, for reasons that Kress illustrates convincingly.

The novel’s central character is Marianne Jenner, who has published a paper outlining her discovery of a new haplogroup of mitochondrial DNA. Her publication party is interrupted by FBI agents who want to escort her to the president, something that regularly happens in science fiction novels and thrillers when a scientist’s knowledge is urgently needed, particularly when space aliens are involved. The aliens are in orbit, but they build a floating embassy, surrounded by an energy shield, in New York Harbor. The aliens, known to Earth folk as the Deneb, want to meet Marianne. Hence the urgent need for government agents to summon her.

Marianne’s son Noah is dependent on sugarcane, a drug that gives him confidence in his personality, although the personality differs every time he takes it. Her daughter Liz is an isolationist who has bought into “America first” propaganda, which suits her role as an overzealous border patrol officer. Her son Ryan works for a wildlife organization and argues with Liz about the benefits of globalization. The offspring play varying roles of importance as the novel progresses, and at least two of them will presumably play some role in later volumes.

We quickly learn that the Deneb are descendants of Earth, members of the haplogroup Marianne discovered. And we quickly learn that they’ve come to Earth to save it, much to the consternation of isolationist Liz (who views them as illegal aliens) and ecologist Ryan (who views them as an invasive species). The threat to Earth comes from a cloud of spores that is drifting toward Earth. The Deneb hope to find a way to save Earth because the same cloud will swarm their own planet a couple of decades later.

To avoid spoilers, I won’t say much more about the plot, apart from the fact that it is set up by the Deneb visit but otherwise doesn’t have much to do with the Deneb. In fact, the story loses some of its steam once the Deneb depart, although it does set up short-term and long-term threats to the Earth (mostly from stupid humans). Ensuing volumes will no doubt follow characters into space, which is something I will look forward to seeing.

There is a certain amount of family drama, followed by relationship drama, in Marianne’s life, but it contributes to the story without overwhelming it. There are also a bunch of children who are learning to cope with … skills? disabilities? … that have been genetically unlocked in their minds. That aspect of the story is more interesting than a conspiracy involving a rich guy, which has some good moments but is too much like other conspiracy stories to generate much excitement.

Some storylines are left dangling, and not all of the plot threads cohere, so I wouldn’t recommend this as a stand-alone, although the ending isn’t a cliffhanger. I suspect the entire trilogy will be a more satisfying reading experience than Tomorrow’s Kin standing alone. I may need to revise my opinion after reading the rest of the trilogy, but I can guardedly recommend Tomorrow’s Kin as a moderately interesting beginning to a story that, I hope, will become even more interesting as it develops.

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Lola by Melissa Scrivner Love

Published by Crown on March 21, 2017

Novels that focus on gangs and inner city crime are trendy, but Lola stands apart from the crowd by focusing on a 26-year-old woman who sees the gang from a female perspective. The woman, of course, is the titular Lola. She has a secret that is revealed in a surprising moment about 50 pages into the story. Without spoiling the secret, I can say that it causes the reader to rethink the nature of the central character.

Garcia belonged to Kim before, but now he’s Lola’s man. Garcia is regarded as the top man in the Crenshaw Six. Lola used to date Kim’s older brother, back when he was the top man, but she moved on to Garcia after Kim’s brother was murdered. Lola understands that playing a subordinate role is the key for a woman to survive in the world of gangs, but she’s too smart to be content.

Garcia is offered an opportunity to move the Crenshaw Six to a considerably higher place in the gang hierarchy, but at considerable risk, particularly to Lola, whose life (according to the enforcer who offers the job) will be taken as retribution if the gang screws up. It is when the mission doesn’t go well that we learn Lola’s secret.

After that, the story is about Lola’s quest to score the $4 million she needs to save her life, and about a series of unfortunate encounters with rival drug gangs, a powerful drug cartel, the police, neighborhood nuisances, and Lola’s mother. Each event in a sequence of unfortunate events places Lola in an even more precarious position. Balanced against that plot is Lola’s confrontation with the expectations of affluent white society as she tries to rescue a neighborhood girl from a life of abuse.

A key character is Lola’s brother Hector, who has been having sex with a girl whose brother is in a rival gang. Hector has a decency that some of the other gangbangers lack, and while he is Lola’s brother, it is Lola’s job to enforce order when that decency prevents Hector from doing his job. The complexity of the family and gang relationships is one factor that sets this novel apart from most gang stories.

Police officers in Lola are generally portrayed as decent people, not as stereotyped heroes or villains, although a couple of bent cops add new twists to the plot. Even rich white people, for whom Lola has little sympathy, are portrayed sympathetically. Lola perceives “every stranger as a fatal struggle” but is often surprised by their lack of malicious intent.

The novel is written in the third person, but generally allows the reader to see the world from Lola’s perspective. Lola’s past is tragic, her environment is horrifying, but it is the only life and environment that Lola has, and while she shows no inclination to leave it, she is determined to conquer it. She is smart, cunning, and resourceful. Lola’s insight into the gang members and men in general contributes to her efforts to control them.

Parts of the novel, primarily the parts that discuss child abuse, are sad, but the sadness contributes to the novel’s power. The discussions are never graphic, but they are not hidden from view, so particularly sensitive readers might not be a good fit for the novel.

The narrative tends to overdo statements like “Lola wonders whether she will be alive tomorrow” or “Lola wonders whether she will ever eat another pizza.” Occasional references to Lola’s concern about her future are fine, but we don’t need to be reminded on every page that Lola’s future is precarious. Lola also tends to overdo her fretting about her position in the world. Still, those are my only complaints about a novel that I thoroughly enjoyed.

The surprising complexity of shifting relationships gives the story greater depth than it appears to have on its surface. By most standards, Lola is not a good person, and some readers will dislike the novel for that reason. By the standards that define her existence in “a world that doesn’t want her,” Lola might be a better person than most. Readers who are open to that distinction will probably like Lola as a person and as a novel.

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