Three Brothers by Peter Ackroyd

First published in Great Britain in 2013; published by Nan A. Talese on March 4, 2014

The Hanway brothers, born on the same day in three consecutive years, grow up in a London neighborhood. Their mother absents herself from the home when the oldest, Harry, is ten. Their father, a failed writer working as a nightwatchman, allows the boys to fend for themselves. Harry is athletic and adventurous; Daniel is scholarly and gay; Sam is melancholy, considers work to be a form of death, and might not be entirely connected to reality. In middle school, the brothers begin to drift apart ... or rather, they flee from each other and from the institution known as family. Each chapter that follows tends to focus on a single brother -- Harry pursues a career in journalism; Daniel pursues an education; and Sam drifts into an interior, quasi-religious life -- although their lives occasionally intersect.

What initially seems like a meandering character study (or perhaps a family study) eventually blossoms into a tightly woven story with an amusingly twisted plot. At some point, all three brothers become entangled with a notorious slumlord named Asher Ruppta, although no brother realizes that either of his other brothers also knows Ruppta. The brothers' lives intertwine in other ways that they don't realize. The cleverness of the plot assures a steady supply of surprises and the writing is full of wit and whimsy, although some aspects of the ending are incongruously bleak.

The tongue-in-cheek story consistently amuses. Three Brothers is not entirely without substance but the brothers are superficial and the targets of Peter Ackroyd's arrows (including wealthy hypocrites, sex-starved cougars, and literary academics who are jealous of younger or more successful writers) are fairly obvious. Three Brothers seems like a somewhat paler version of a novel Kingsley Amis might have written half a century ago, but that didn't stop me from enjoying it.

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The Gun by Fuminori Nakamura

First published in Japan in 2003; published in translation by Soho Crime on January 5, 2016

Fuminori Nakamura’s crime novels are built on psychological suspense rather than action, but they move at a brisk pace, thanks to a writing style that wastes no words. The Gun, Nakamura’s first novel, doesn’t have the depth of The Thief. It nevertheless creates a reasonable amount of dramatic tension as the reader wonders about the fate of the central character.

Walking along a street on a rainy night, Nishikawa feels a deep sense of satisfaction, even elation, when he discovers a gun near a dead man’s body. The gun gives him a sense of fulfillment; he knows he cannot part with it. When he picks up a girl and has sex with her, he realizes the next day that she did not compare to the pleasure he receives from handling the gun.

Soon, just knowing that he has the gun is not enough. Nishikawa begins to carry it around, savoring the tension he feels. Of course, he has fantasies about shooting the gun and, of course, those fantasies become darker. Nishikawa is consumed and controlled by the gun. Decisions are made by the demanding gun, not by Nishikawa.

Nishikawa is emotionally stunted, a characteristic Nakamura develops through Nishikawa’s distracted relationships with women. Nishikawa lives inside his head but seems incapable of understanding his feelings and motivations. He has a problem with impulse control, while the impulses he manages to resist turn into obsessions and plans. Nishikawa’s half-hearted attempts to analyze his urges provide no insights that might help him to control them.

Whether and how Nishikawa will use the gun are the questions that keep the pages turning. The speed with which the story moves is due in part to its focus on Nishikawa. Other characters make brief appearances, but we learn little about them. Instead, we learn much about Nishikawa’s life and how that life changes as the result of a chance encounter with a gun.

The abrupt ending comes as something of a surprise despite its inevitability. While The Gun lacks the richness of The Thief, its noir sensibility showcases Nakamura’s ability to delve into tormented minds.

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House of 8 Orchids by James Thayer

Published by Thomas & Mercer on January 5, 2016

House of 8 Orchids follows the arc of a good adventure novel: a roguish but likable protagonist goes on a journey, overcomes life-threatening obstacles, and learns something about himself along the way. The time and place (China during the Second Sino-Japanese War) add color to the story, while a variety of convincing secondary characters add to its sense of authenticity.

John and William Wade, the children of an American diplomat, were kidnapped in Chungking in 1912. The story begins in 1938. John and William both serve Eunuch Chang, who presides over the House of 8 Orchids. Eunuch Chang kidnaps orphans and fosters their talents for nefarious purposes. William’s talent as an artist makes him a skilled forger. John is trained as an assassin and a thief. Less fortunate orphans are relegated to the Rough Boys, a group whose members develop their muscles rather than their minds.

The latest addition to the House, via kidnapping, is Wu Luli. Unlike most of Eunuch Chang’s victims, Wu Luli is a woman of some prominence in Chinese society. Chang plans to sell her for a good price. William is quite taken with her and that leads to trouble for both William and John.

John’s trouble takes him on an adventurous journey across China that involves Japanese bombings, bandits, monks, Chiang Kai-shek’s army, a brave American doctor, the United States Navy, and villagers who are victimized by both the Chinese and Japanese armies (and by gangsters). At the same time, it is a journey of self-discovery, as John is forced to make a compromise between the unsavory values he learned from Eunuch Chang and his observation that the people he admires are more inclined to help strangers than to harm them. He also learns something about his past that may or may not inspire him to redefine his identity.

James Thayer paints a detailed picture of the Chinese countryside and enlivens the story with Chinese legends. The story has the feel of a modern legend, filled as it is with folk beliefs and rural Chinese traditions, feats of daring and acts of grace. As you would expect from a legend, everything is a bit oversized, from John’s ability as a knife fighter to a dog that is as big as a small horse.

Adventure novels typically work their way to a predictable ending and this one is no exception. It is nevertheless a satisfying ending and the story holds a surprise or two as it speeds toward its conclusion. House of 8 Orchids isn’t a deep novel but its entertainment value is heightened by its setting and its strong characters.

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The First Order by Jeff Abbott

Published by Grand Central Publishing on January 5, 2016

Unlike many thriller series, the Sam Capra books are maintaining their quality. I was unimpressed with the first Capra novel, but the quality of subsequent books (unlike a couple of Sam Capra short stories) has been consistent.

Earlier novels in this series developed Sam Capra’s platonic relationship with Milla, the woman who helped him rescue his child and who handles Sam for a mysterious organization, and with Milla’s husband Jimmy, who feels threated by Sam. The relationship triangle plays an intense role in the early stages of The First Order, forcing Milla to make a difficult choice about whether to betray her husband or her best friend.

Another subplot that developed in earlier novels involves Sam’s search for a brother who might or might not be dead. That storyline takes center stage in The First Order. It merges with the Milla-Jimmy-Sam triangle in a way that gives the series a good shake.

A third plot thread that initially appears to be unrelated involves an assassin who calls himself Philip Judge. Judge has been assigned to kill the Russian president. It is not an assignment that Judge can refuse. About midway through the story, we learn something about Philip Judge that ties all of the plot threads together.

Various characters operate at cross-purposes as the novel steams along, interfering with each other’s plans in a way that creates unexpected plot twists while fueling the novel’s action. I often have trouble with farfetched plots but this one moves so smoothly that nothing seems forced. Action scenes do not push the boundaries of credibility beyond that which is common in modern thrillers. In any event, the story is fast-moving and fun.

The First Order closes a chapter in Sam’s life and opens another. It promises to give the series something of a fresh start, which is always a good idea after the first few books. Whether the series will stay fresh remains to be seen, but this installment is one that should satisfy Sam Capra fans.

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Forty Thieves by Thomas Perry

Published by Grove Atlantic/Mysterious Press on January 8, 2016

I had a lukewarm reaction to the last Thomas Perry novel I read. I was more entertained by Forty Thieves. It’s a fun, light, offbeat story with a surprising but credible plot.

The body of a food scientist washes up in an LA sewer. A year later, the police are no closer to solving the man’s murder. Nothing that the police learned about his life supplied a motive for his death. Looking for answers, the scientist’s employer retains Sid and Veronica Abel, two detectives who specialize in unsolved crimes. To find out why the scientist was killed, the Abels need to uncover the hidden truths of his life.

The Abels aren’t quite Nick and Nora Charles but they do engage in friendly banter, mocking each other in the way that married people do. So do Ed and Nicole Hoyt, but they are assassins rather than detectives. Of course, the Hoyts and the Abels quickly cross paths and continue to do so as the story unfolds.

The story draws interesting parallels between the two couples. Both couples have similar experiences during the course of the novel and have similar emotional responses to those experiences. I think Thomas Perry is making the point that people are defined by more than good or bad behavior. Whether they make good choices (like solving murders) or bad choices (like committing murders), people are still people. That’s always a good message (and not a common one in thrillers, which tend to turn villains into caricatures).

The characters are the strength of Forty Thieves, but the plot threads are all intriguing. The Abels need to puzzle out why the food scientist was killed and why the Hoyts (among others) are trying to kill them. The Hoyts need to puzzle out why they have hired to commit certain crimes and (of course) why someone is trying to kill them. Both couples pursue investigations that converge in a way that is more believable than most modern thrillers manage.

The story moves at a good pace and it leads to a satisfying conclusion. It’s also quite amusing. If you’re looking for a story that delivers chills and suspense, this isn’t it, but as a light crime story about likable characters, it works well.

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