Worst. Person. Ever. by Douglas Coupland

Published by Blue Rider Press on April 3, 2014

Raymond Gunt, a cameraman of little distinction, reluctantly takes an assignment offered by his ex-wife that involves shooting footage for an American reality TV show in the remote island nation of Kiribati. It's the kind of show (Gunt is told) where people shag each other for a few weeks and then turn into cannibals. Recruiting a personal assistant from the cardboard box in which he dwells, Gunt begins his travels. The world tour of detention facilities is not what he had in mind, but he perseveres.

Douglas Coupland (via Gunt) pokes fun at Americans and our "ghastly" pseudonews channels and general dreadfulness, although he also belittles Mr. Bean and other British exports. He takes equal delight in skewering Peruvians, Mexicans, Chinese, Samoans, and pretty much everyone else on the planet. Some of his humor is less than politically correct (children who suffer from conditions that inhibit self-control, homeless people, and the obese are among his targets) but he doesn't cross boundaries in a way that most readers who have a sense of humor would find excessively offensive. After all, you can't expect enlightened sensitivity from the Worst. Person. Ever.

Some of Coupland's humor is too obvious (a product of choosing easy targets) and there are several comedic lulls during the course of the novel. Even so, Coupland has a gift for crafting funny sentences, many of which made me laugh out loud (although I admit that I'm a sucker for camel toe humor; it is possible that more mature readers will be less amused). In addition to Gunt's nonstop commentary on life (including conversations that routinely get Gunt and his assistant thrown out of vans and buses), the novel is peppered with fun factoids resembling Wikipedia entries that are about half fact and half clever invention.

The plot, to the extent that there is one, has little to do with the reality TV show. The novel's weakness is that there isn't much of a story here. Worst. Person. Ever. is amusing in a meandering way but it often seems to be searching for a purpose that it never finds. There is nothing wrong with humor for the sake of humor, but the novel's steadfast avoidance of meaning is disappointing. So is Gunt, who never quite lives up to the novel's title. Worst. Person. Ever. delivered enough laughs to earn my recommendation but did not deliver enough substance to earn unmitigated praise.

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Payoff by Douglas Corleone

Published by Minotaur Books on August 19, 2014

A group of men kidnap Edgar Trenton's 15-year-old daughter, Olivia, despite the fruitless attempts of Edgar's wife to shoot the intruders. Edgar wires the $8.5 million ransom but his daughter remains missing. The talking heads on cable news immediately crucify Edgar, claiming he is hiding the money to keep it from the wife who planned to divorce him. That theory being their best chance of closing a case they cannot otherwise solve, the FBI arrests Edgar, but not before he calls in a favor owed by Simon Fisk, a former U.S. Marshal turned private investigator whose own daughter had been the victim of an unsolved kidnapping eleven years earlier. That crime was indirectly responsible for his wife's death. The resulting baggage is at the core of his Fisk's personality.

Fisk's search for Olivia takes him to the luxurious environs of Grand Cayman, to the slums of Costa Rica, to a drug lord in Columbia, and to Carnival on the streets of Caracas, all painted in colorful detail. The trail leads to dead ends and dead people, prompting the reader to wonder what sort of conspiracy is afoot. Clearly this is more than a simple kidnapping for ransom, but the reason for the kidnapping and the people involved in it come as a surprise -- or rather, a series of surprises.

Douglas Corleone has a realistic understanding of the horrendous failure the drug war has been, and the harm it has caused, in Columbia and elsewhere. This is not an overtly political novel -- it doesn't lecture -- but it is refreshingly honest in its portrayal of disastrous political policies that benefit monied interests while harming American taxpayers and nearly everyone except the drug producers in Columbia.

Fisk is a good character even if his tragic life is a little too tragic. It is a life concocted to manipulate the reader's emotions and to justify Fisk's obsession with finding abducted children. Fortunately, Fisk does not often become preachy or self-righteous, so that weakness in the novel is not particularly troubling.

The story moves at a suitable pace for an action thriller. Corleone's smooth prose never gets in the way of the story he tells. The plot is no less plausible than most modern thrillers (meaning it is barely plausible) but it is entertaining. Payoff is the kind of book that makes for diverting airplane reading on a long dull flight.

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Don't Look Back by Gregg Hurwitz

Published by St. Martin's Press on August 19, 2014

After Eve Hardaway's husband leaves her for another woman before they can take their anniversary vacation to Oaxaca, Eve decides to go by herself. Eve is in the Mexican jungle with a half dozen American tourists, the camp owners, and a man she encounters while rafting in the jungle. The man is practicing throwing his machete at a human silhouette. When Eve finds a lost camera near the man's dwelling, she realizes that the woman who owned the camera was the previous occupant of the hut in which Eve is staying. The camera contains pictures of the jungle man behaving forcefully with an indigenous woman.

When Eve learns that the camera owner never made it home, the group feels threatened. Their fears are discouraged by the camp owners, who worry that publicizing the psycho in the jungle might be bad for business -- not to mention Oaxaca's aversion to having a Natalie Holloway story in the foreign media.

The campers, including Eve, are largely a group of whiners, making it difficult to care what happens to them. It's also disappointing that the man with the machete is such a conventional villain. A long expository chapter in the middle of the novel explains his improbable journey from Pakistan to the Mexican jungle, where he now fights the "holy struggle" by abusing native women. As villains go, this semi-retired jihadist is a cartoon.

Don't Look Back could have been a tighter novel. Too many scenes are repetitive. Characters have the same arguments about their predicament, tell each other how bad their situation is, and waste time when they should be running. The evil guy gives them plenty of time to waste, and ample opportunity to escape, when he could have devoted his energy to the simple task of killing them all. All of that makes the last third of the novel less interesting than the set-up.

The natural threats of the jungle (crocodiles and sweeper ants and deadly plants and flooding downpours) are more believable (and more menacing) than the jihadist with the machete. An extended chase scene through the jungle at the end of the novel is more interesting than a typical chase scene through city streets, but my interest waned as the chase went on and on. The story's path is predictable -- it is too easy to guess which characters will die and which will be unexpectedly resourceful. Although Don't Look Book has some strong moments and moves briskly, I cannot recommend it with any enthusiasm.

RECOMMENDED WITH RESERVATIONS

The Spark and the Drive by Wayne Harrison

Published by St. Martin's Press on July 15, 2014

The Spark and the Drive is a tribute to cars and to the mechanics who serve them. "Automobiles were like a great species among us, more vital and abiding than most people in our lives, yet only a handful of us fully understood their complicated language." It is also a book about damaged people who are trying to change their lives, or trying to change the lives of people they care about, sometimes doing more harm than good.

Justin is 17, living in Waterbury, Connecticut. He has spent the summer of 1986 working for the legendary Nick Campbell, who specializes in restoring, repairing, and improving muscle cars. A properly tuned engine provides Justin with the order and predictability that is missing from his life. A mechanic, to Justin, represents "the pure masculine blend of strength and intelligence." Justin would rather prove himself with grease and sweat than with a college degree. He works alongside Bobby Stango, a biker who is on parole and committed to sobriety despite spending most of his nonworking hours in biker bars. But repairing new cars requires diagnostic computers, not just wrenches, and the days of Nick's muscle car specialty shop may be numbered.

Justin all but worships Nick, but Nick has apparently lost his focus, forgetting simple steps (like tightening drain plugs) that lead to further repairs and unhappy customers. He's also messing up his relationship with his wife, Mary Ann, a relationship that has been rocky since the loss of their child. While Nick exemplifies the strong, silent male, his silence (a product of not knowing what to say unless he's talking about cars) is killing his marriage.

The novel's drama comes from three sources. The complex relationships between Mary Ann, Nick, and Justin is one. The second is a Corvette that a woman from Miami leaves with Nick before she disappears under suspicious circumstances. And the third is whether Nick's shop will survive. Nick hires a mechanic who understands computers in an effort to maintain the shop's relevance but the mechanic alienates Bobby while violating Justin's sense of who a mechanic should be. The man is arrogant and self-important, traits that speak to the "unmanly quality of his character."

For a book steeped in drag racing and motor oil, the prose is astonishingly strong. This is a well told story, dramatic without becoming melodramatic, populated with realistic characters created in grimy detail.

Car engines, the story tells us, might have become more efficient with the help of computers, but they represent stability because their fundamental elements -- fuel and air and spark -- never change. Perhaps people who love engines take comfort in that stability. People are always changing, often in unpredictable ways, and no shop manual tells us how to restore them when they lose their spark. As with engines, some people are worn out, seemingly beyond restoration. Yet as with engines, with patience and perseverance -- and the help of someone who cares -- even the worst damage can be repaired, although not always by means we might predict or desire. Perhaps we cannot be rebuilt -- damage changes us in fundamental ways -- but we can learn to function again. All of that is reflected in The Spark and the Drive, a book that readers (like me) who don't know a gasket from an O-ring can appreciate.

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The Hidden Girl by Louise Millar

Published by Atria on August 26, 2014

Will and Hannah leave their flat in London to move into a home in Suffolk. Buying the house was Hannah's idea, an attempt to impress the social worker who will decide whether they will be allowed to adopt. Will resents the daily two hour drive to work he will need to make but feels the need to placate his wife. Hannah is obsessed with fixing up the ancient house so that the social worker will deem it a perfect environment for raising a child. Will would like to have another beer or three. Each finds the other supremely irritating. Each wonders when the other became so needy. Unfortunately, they each need different things.

Hannah is eager to finish painting and decorating within two weeks, before the social worker arrives. After a long weekend, Will returns to his London job, leaving Hannah to carry on without him until evening. Things begin to happen that you might expect in an atmospheric novel about a creepy old house. A blizzard strands Will in London, leaving Hannah feeling isolated. Cell phone service disappears. The boiler goes out. Hannah sees an odd shape in the window. Footprints appear next to hers in the snow. Doors to certain rooms are locked and she has no keys. Gruff neighbors are less than welcoming. Things go bump in the night. Objects disappear and reappear. The refrigerator door keeps falling open. And so on. One early twist in The Hidden Girl is the mysterious donkey that shows up during a snowy night. I give Louise Millar props for the donkey; it's a nice touch.

As the plot develops, the reader wonders which of the eccentric neighbors will eventually threaten Hannah, or whether she is being haunted by a ghost. A young woman in the neighborhood, apparently mentally disabled, is a key character, although her importance does not become clear until the novel's second half. When Hannah witnesses troubling events and discusses them with certain neighbors, the inbred villagers turn against her, spreading lies that make Hannah seem even more demented than she manages to be on her own. Whether they will destroy everything Hannah is trying to achieve -- and more importantly, why the might be motivated to do so -- are the mysteries that build the novel's suspense.

Hannah is the central character, but her pettiness and unchecked anxiety often make her an unpleasant literary companion. She's unreasonably fickle, hating Will's sister for most of the novel until deciding they will be lifelong friends. It is easy to empathize with poor Will while wondering why he puts up with Hannah. Still, Hannah is a realistic character, just not a particularly likable one, although by the end Millar made me work up some sympathy for her. Hannah also demonstrates an understanding of her own obsessions and has the opportunity to improve before the novel ends. Will is less the novel's focus but he is also an easy character to believe.

As much as I disliked Hannah, I liked the story, primarily because I didn't know where it was going. Millar does a masterful job of creating a sense of foreboding without letting the reader know exactly what there is to fear. Millar manages a reasonably good balance between family drama and external threats to the family.While the novel has a "Can this marriage be saved?" theme, it is secondary to the suspenseful plot. The resolution is farfetched but plausible and, more importantly, creative.

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