The Wolf Hunt by Ayelet Gundar-Goshen

First published in Israel in 2021; published by Little, Brown and Company on August 15, 2023

Adam Schuster is a reserved, friendless boy who has been bullied at school. Although his mother is unaware of the extent of the bullying, her fear for Adam has been heightened by antisemitic graffiti and a recent shooting in a synagogue. She wants Adam to take a class in Krav Maga. While she thinks it would be beneficial for Adam to learn self-defense, she regards the lessons as less important than the benefit of socializing with other kids.

Adam’s mother is Leela, a version of her real name (Lilach) that is easier for Americans to pronounce. Adam’s father is Mikhael, although he goes by Michael. Leela and Michael were born in Israel but Michael’s employer, a military-industrial weapons designer, transferred him to the United States. Adam’s self-defense instructor is Uri. Like Michael, Uri served in the Israel Defense Force. Adam has heard rumors that Uri worked for Mossad.

Leela was defeated by the chase for academic credentials in Israel and welcomed the chance to be an unemployed housewife in America. Leela easily became the kind of woman she once detested, although she found a job organizing cultural activities at a retirement home so she could feel good about having a Latina cleaner instead of doing her own housework.

Leela and Michael grew used to the idea of raising Adam as an American. Leela thought it would be best for Adam because she loved Israel “the way a woman loves her abusive husband.” By the age of six, Adam didn’t want to speak Hebrew outside the home — he wanted to fit in — but his attitude changed at sixteen, when he started to study Krav Maga under Uri’s tutelage. His attitude about his primary tormenter, Jamal Jones, also changed. He talked to another kid about killing Jamal and had “disturbing searches” on his phone.

Adam attended a party with nearly everyone from his class. Jamal died at the party, apparently from a drug overdose. As the novel begins, the police suspect that Adam murdered him. Leela is certain that her son is a good boy, even as the evidence begins to suggest that he might be an antisocial nutcase. Whether Adam murdered Jamal is the question that supplies the novel’s dramatic tension.

When the police search Adam’s home, some members of the community regard him as a murderer. He deals with antisemitic graffiti at his school and vandalism of his home. Uri tries to help with security, but Leela is conflicted by her fear that Uri is a negative influence on Adam and her feelings of lust.

The story is told from Leela’s point of view. She has an understandable aversion to believing anything bad about her son, but she has apparently spent her life hiding from reality. In Israel, when she inadvertently clicked on a news channel that showed a Palestinian woman with a dead baby in her arms, Leela promptly turned on an episode of Friends, where Phoebe “appeared like a blond good fairy to take me away from there.”

As the novel progresses, Leela connects with Jamal’s mother (before Adam becomes a known suspect), learns a secret that Jamal concealed from his family, and wonders about Adam’s secrets. Because of her own unacknowledged prejudice, she blames the Nation of Islam for vandalizing her house. She likens a rock thrown through her window to an intifada. Because Jamal was Black, she begins to fear that every Black man she sees will seek revenge.

I suspect that the reader is not meant to like Leela. She has a sense of entitlement that combines with irrational anger to make her disagreeable. She thinks the worst of her husband and responds in kind. She once suffered a few days of paranoid delusion. Her therapist suggested that she feels like an outsider everywhere, not just in America. Perhaps Leela is suffering from a mental health condition. If so, she can’t be blamed for being unwell. While some readers might have sympathy for Leela, her emotional issues do not make her any more likable. I don’t believe interesting characters necessarily need to be likable, but many readers disagree.

The novel addresses familiar themes of persecution and discrimination from the unusual perspective of a woman caught between two worlds who might be a little bit crazy. I appreciated a brief but interesting discussion of whether money should supplant ideology — whether performance ratings should be more important than race and religion — or whether money is the most dangerous ideology because “it holds nothing sacred and allows you to do anything.”

Much of the story seems to plod along as a domestic drama that treats the central question — is Adam a murderer? — as secondary to all the other issues that provoke Leela’s anxiety. Yet a potential answer to that question, when it finally comes, is truly surprising. At the moment of its arrival, it becomes clear that the novel is a clever mystery. Jamal’s death is only part of a larger story that is carefully hidden until the story’s climax.

The reveal does not entirely resolve the mystery. Some readers might dislike the uncertainty, but in a novel told from a mother’s point of view, uncertainty might be more horrifying than knowledge of the truth. Until I reached the final page, I wasn’t quite sure whether I would recommend The Wolf Hunt, but the prose is graceful and, in the end, I appreciated the story’s ability to tantalize with so many unanswered questions.

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Tides of Fire by James Rollins

Published by William Morrow on August 15, 2023

Readers know what they’re getting in a Sigma Force thriller:  action, undersea adventure, above-sea adventure, fights, explosions, and more action. Sigma Force is a “clandestine organization operating at the periphery of military structure.” Military operatives have been “re-trained in various scientific disciplines.” In other words, soldiers have been made into scientists. Wouldn’t it be easier to make scientists into soldiers? I mean, it takes longer to master a science than to master the art of fighting. Doesn’t matter. Readers are best served by not thinking too deeply about Sigma Force novels.

Much of the action takes place off the coast of Australia in the Coral Sea, home of the Titan Project. The Titan X, a “thousand-foot-long gigayacht,” houses a couple dozen research laboratories. The yacht supports Titan Station, a research facility that consists of a floating platform (Titan Station Up) and an inverted pyramid consisting of five tiers that rests two miles below the ocean surface (Titan Station Down). Submersibles ferry researchers from Up to Down and back.

In the early years of the nineteenth century, Sir Thomas Raffles was investigating the relationship between volcanic eruptions in Southeast Asia and people who turn to stone. Rather than turning his findings into a report that would benefit humanity, he divided his research papers and hid them in separate places to make it as difficult as possible for researchers to find them when they will be most needed. That makes no sense, but hiding secrets that will save the planet from disaster is a common thriller theme. What fun would it be if the hero could just pick up a book and find the solution?

Back in the present, marine biologist Phoebe Reed is studying deep-sea coral for the Titan Project. She wonders if coral exists in the deep trenches that extend below the seabed. While she’s puzzling over that question, she discovers that a new form of coral has a nasty stinger. Yes, the stinger turns people to stone, or into something that resembles stone.

Reed also discovers a Chinese submarine that crashed through the coral on the seabed. It turns out that the submarine was armed with nuclear weapons and the Chinese military doesn’t want anyone snooping around it. Of equal importance, the coral doesn’t like being disturbed by radioactive submarines.

James Rollins fills his books with characters. This one includes nineteenth century sailors and explorers, members of a Chinese triad, Grayson Pierce and his Sigma Force operatives, officers of the PLA, employees of a couple different museums, and a Russian assassin who sets up the next novel in the series. None of the characters have much personality. They exist to drive the action unless they are standing to the side and explaining the plot. Readers probably don’t pick up a Rollins novel expecting a character-driven story. There’s no risk of finding one here.

The plot is a bit eye-rolling. Earthquakes, tsunamis, and volcanic eruptions threaten to destroy all life on the planet. One school of thought blames the Chinese. Another school of thought holds that the natural disasters are caused by cheesed-off undersea dragons. Thankfully, indigenous people in Raffles' day knew how to appease the dragons. Sigma Force and Chinese soldiers battle to uncover the secret to appeasement that Raffles carefully concealed. Meanwhile, the heroes of the Titan Project are dodging Chinese torpedoes and various undersea menaces.

Rollins includes an abundance of sciency-sounding explanations in an attempt to make the plot seem plausible. Still, the story doesn’t make much sense. I haven’t mentioned the ancient planetoid that split apart, crashing into both the Earth and the moon. Parts of the planetoid on the Earth and moon are talking to each other. Certain Chinese villains think they can weaponize the planetoid. The scientists suspect that some of the earthquakes, volcanic eruptions, and other natural disasters were unwittingly caused by Chinese astronauts poking around on the moon, so don’t blame the sea dragons. They just want to be left alone but they turn out to be helpful if they hear the right music.

So yeah, the plot often devolves into silliness, but rationality (like characterization and graceful prose) isn’t a central feature of action-adventure thrillers. The point is action and adventure. Rollins regularly destroys parts of the world. In Tides of Fire, earthquakes and volcanos threaten an extinction event. I’ve never been a big Rollins fan and this novel didn’t convert me, but I give Rollins credit for putting in an enormous amount of work to make the story go. Tides of Fire delivers a fast-moving action/adventure story and that’s all it’s meant to do.

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"Calypso's Guest" by Andrew Sean Greer

Published by Amazon Original Stories on August 22, 2023

The narrator of “Calypso’s Guest” betrayed the other humans on his planet by doing a deal with the godlike Others. The deal included the promise of immortality. Having discovered the betrayal, the narrator’s people banished him to the unoccupied colony world of Calypso, where he lives as a prisoner. Robots serve the narrator’s needs but they will not build a ship to help him escape. Even if he had a ship, the robots would not let him leave.

After the narrator was banished, the humans on his planet were killed by the Others. No other colonists joined the narrator on his new world.

One day a spaceship crashes and the narrator is joined by its surviving occupant. The narrator believes his guest was sent to him as part of the bargain he made with the Others. The guest gets along with the narrator, even joining him in his hut on some nights, but the guest is disappointed that there is no way to leave the planet.

The guest has stories to tell — the sort of stories that Odysseus told, complete with one-eyed monsters. The guest is adventurous — like Odysseus — while the narrator is more of a homebody. The guest wants to build a ship to explore their world. He seems to have little interest in having the narrator accompany him on that journey.

Homer wrote that Calypso held Odysseus on the island of Ogygia for seven years. The guest has been on Calypso for seven years when the narrator discovers a newly arrived spaceship. Its occupant is dead but the ship is intact. The story’s moral dilemma involves the narrator’s possession of that secret. Should he share it with his guest? If he does, will the man he loves leave the narrator alone on the prison planet?

I suppose every serious writer needs to write a story that is inspired by the Odyssey. This one is almost moving. It certainly tries to be moving. Perhaps it tries too desperately. The sentiment seems forced, too obvious to be genuine. Still, a short story can be entertaining without being substantial. I’m not sure I would spend money to purchase a short story that will likely appear in an anthology at some point — I like to get more words for my buck — but “Calypso’s Guest” is a better story than most that appear in annual anthologies.

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Lion & Lamb by James Patterson and Duane Swierczynski

Published by ‎ Little, Brown and Company on August 14, 2023

Lion & Lamb. Isn’t that a little too cute? More troublesome is that it’s a little too obvious. The title, like the novel itself, doesn’t reflect an abundance of effort.

The novel is a murder mystery. The victim, Archie Hughes, is an NFL quarterback. Someone with the stature of a Tom Brady, including the hot celebrity wife (although Brady’s is now an ex-wife). I doubt the novel intends to invite other comparisons, as the novel’s quarterback is more than a little sleazy, not to mention dead. He also played for the Eagles. Perhaps Archie’s sleaziness has something to do with the bullet that found its way into his skull while he was sitting in his Maserati.

Veena Lion and Cooper Lamb are two high profile private investigators in Philadelphia. They compete against each other for business but occasionally sleep together. When Archie is murdered, the DA hires Lamb to help make its case against the prime suspect, Archie’s wife Vanessa. Naturally, Vanessa’s lawyer hires Lion to make a case for her innocence. And naturally, Lion and Lamb both insist they will go wherever the evidence takes them in their quest for the truth. For that reason, they decide to keep no secrets from each other. I’m not sure it’s quite ethical for a defense attorney’s investigator to share information with the prosecution’s investigator, but ethical or not, that’s the story.

The plot builds little suspense but it does offer the traditional elements of a murder mystery, including misdirection and an abundance of suspects. The obvious clues point to Vanessa, apart from the automatic assumption that a murder victim must have been killed by his or her spouse. Most damaging is the murder weapon that a gardener digs up in Vanessa’s yard.

Archie and Vanessa had two kids who are often in the care of their hot nanny. She’s a suspect, as is the police detective who is canoodling with the nanny while investigating the murder. He's also investigating a second murder that might or might not be related. A gambling subplot brings in the team owners as suspects. A tight end might also be a suspect, if only because he often seems to be lurking. Perhaps the killing was a random robbery, as Archie's Superbowl ring is missing.

The solution to the mystery is unconvincing, but farfetched attempts to surprise the reader have become commonplace in modern mysteries. Occasional action scenes, complete with gunplay, are a bit too casual (if not downright silly) to allow the novel to be categorized as a thriller. It’s almost a middle-aged version of a cozy mystery, given its strict avoidance of naughty words and its suggestions of sexual encounters that are far from explicit.

My only serious gripe about Lion & Lamb is the authors’ writing style. Most of the novel consists of dialog, often in transcript form, a style attributed to the habit that both protagonists have adopted a habit of recording all their conversations. Unlike a narrative, dialog is easy to write. Some readers will happily embrace the novel as a “page turner,” but it’s easy to turn pages rapidly when there is so little content on each page.

The dialog doesn’t seem genuine, but placing that concern aside, the novel makes no attempt to establish an atmosphere through the story’s setting. Philadelphia might as well be Kansas City or Phoenix. Nor does it build the story’s background beyond the most basic facts. Characterization is nearly nonexistent. Lamb’s kids and puppy are props; they add no flesh to the cardboard from which the protagonist is constructed.

In a mystery, plots are generally more important than characterization, setting, or atmosphere. Lion & Lamb would have been a better book if the authors had made a greater effort to include all the elements that make a novel memorable. Still, they did enough to earn a guarded recommendation for mystery fans seeking a breezy, PG-rated novel.

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"Black Vault" by Alma Katsu

Published on Kindle by Amazon Original Stories on August 8, 2023

“Black Vault” is a timely spy story — a longish short story — drawn from recent congressional investigations into UFOs. The timeline alternates between 2006 and the present.

Craig Norton is a career officer in the CIA. In 2006, his career is going nowhere. Norton is arrogant and cocky but he doesn’t have the success or pedigree to back up his attitude. He’s running an unimportant asset in the Russia Division. When the asset is transferred to an assignment in Mongolia, Norton follows him. The relocation places Norton under the supervision of the China Division. The China Division harbors an institutional hatred of the Russia Division. Norton is not made to feel welcome.

Norton arranges to meet his asset at night in the middle of a field. The asset never appears, but Norton sees some strange lights in the distance moving at angles and speeds that defy physics. With some trepidation, he writes a report about what he saw because reporting anything unusual is part of his job. After all, maybe he saw an experimental Chinese aircraft.

Norton is cautioned against submitting the report by a CIA officer who reviews reports and tells agents not to say anything stupid. Norton disregards the advice. Head of Station soon complains that Norton has become a laughingstock and has tainted the rest of the office by writing a report about a UFO. Craig learns that Alvin Lee, chief of the China Division, was particularly critical of his report.

Norton’s career comes to an abrupt dead end. He’s eventually reassigned to the US, where he’s given pointless tasks to fill his time until he reaches retirement age. Norton made the mistake of bringing his wife to Mongolia. She left him as a prelude to divorce. He never really connected with his son. He used the classified nature of his work as an excuse to avoid meaningful conversations.

A few months before he’s able to retire, Norton is assigned to a new task force that was formed in response to a 60 Minutes story exposing the government’s suppression of information about UFO sightings. The task force is composed of other deadenders until Norton mentions to the Deputy Director of Operations that the task force will never accomplish anything without young agents who haven’t lost their curiosity. After suitable agents are assigned, Norton begins to learn why his initial report was buried.

Modern spy fiction tends to develop the theme of bureaucracy and professional infighting as impediments to accomplishment. As Norton digs into the aftermath of his 2006 report, he discovers that people who took his report seriously went to war with bureaucrats who thought UFOs were embarrassing. The notion that UFOs might exist, that their secrets might be investigated by Chinese rather than American scientists, was a potential career killer for anyone who scoffed at Norton in 2006. Now it’s looking like the suppression of inquiry should have been a career killer. The theme of government agents stepping all over each other to cover their mistakes by blaming others is always fun, if only because it always seems plausible.

Craig’s relationship with his son comes across as an afterthought, a way of forcing human interest into the story, but Norton benefits from careful characterization in other ways. He feels abused, overlooked, and underappreciated, to some extent with good cause.

The plot is tight, as a short story plot should be. Alma Katsu was wise to develop her concept in short form. The concept may be insufficiently substantial to carry a novel. The story eventually leads to a resolution that will be familiar to fans of spy fiction, at least after the UFOs are set aside. The mixture of fresh and familiar makes “Black Vault” an enjoyable read for fans of spy fiction and UFO conspiracies.

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