The Palace of Saints and Sinners by Ammar Merchant

Published by Simon & Schuster on May 20, 2025

Tough guy thrillers are too often clones of Reacher novels. Some recent Reacher novels have been clones of earlier Reacher novels. Fortunately, a few tough guy novelists have managed to bring something fresh to the genre. Newcomer Ammar Merchant managed that feat with The Palace of Saints and Sinners.

While the novel’s plot is familiar, Irfan Mirza differs from other thriller tough guys. He’s the first fictional Muslim tough guy I can recall encountering. Beyond that, he isn’t an American or a Western European. He spent his early childhood “as an urchin in Karachi, begging, stealing, fighting, and hustling to survive.” Then he was taken to Turkey, where a general trained children for his private army. The concept of children raised to be fighters has been done before, but the setting makes it seem new.

Mirza is now a mercenary who solves problems with brute force because he’s not a heavy thinker. His approach to a problem is to charge at it and smash it with his shoulder. He manages to knock down a wall using that tactic. I appreciate Amar Merchant’s decision to make Mirza a tough guy who makes no pretense of being anything else. Mirza’s simplicity is appealing.

Mirza sometimes teams with a talented thief named Omen Ferris. Omen would like to sleep with Mirza and he shares that desire, but Mirza’s divorce has not been finalized and he has a thing about keeping his oaths.

Mirza is still in touch with some of the other weaponized orphans, thanks to the efforts of Finn Thompson, who treats them as siblings and tries to keep track of them. One of the orphans, Renata Bardales, is the closest thing to a sister that Mirza has. Ren is engaged to a prince from Aldatan whose father is a cousin of the country’s king.

Mirza begins the novel by taking revenge on terrorists in Malaysia who killed a travel vlogger, having been hired for that task by the vlogger’s father. After establishing Mirza’s tough guy bona fides, Merchant sends Mirza on the kind of fast-action plot that makes a well-crafted tough guy novel enjoyable.

Ren’s fiancé and his father have made an enemy of the king by criticizing his undemocratic tendencies. The king pretends he has reformed Aldatan to encourage investment from western nations, but he permits no dissent while allowing powerless citizens of the country to exercise little personal freedom. Merchant situated the fictional country of Aldatan to the north of Yemen.

The prince, his father, and Ren are being held in a secret prison to which the king makes his enemies disappear. The prison is in a castle that is managed by the head of a private security company who has been instructed to extract confessions that can be used to discredit the prince and his father.

When Finn tells Mirza of Ren’s predicament, he and Omen travel to Aldatan. While the reader suspects that Mirza might try to knock down the prison castle by charging into it, they embark on a traditional thriller assault. Finn runs into some trouble that sidelines him (he needs to be hidden and tended by nuns who mend his wounds), so Mirza and Omen carry the load. Pitting a lightly armed tough guy and a thief against thirty heavily armed security guards might seem like poor odds, but modern thriller writers like to turn tough guys into unkillable superheroes who can wipe out bad guys a dozen at a time.

Merchant sprinkles human interest into the story through Mirza’s relationship with his daughter. She isn’t a character in the novel, but Mirza needs to decide whether he’s doing the right thing by calling her every time he starts a mission to let her know that it might be his last. He does that because his father promised to return after walking away while carrying a suitcase but never did. Mirza thinks it’s more honest to let his daughter know that he might not return, but as others tell him, he’s only freaking his daughter out with his calls. That plot thread leads to a touching moment when he calls his daughter for what he assumes will be the last time after sustaining one of the many wounds he absorbs during the novel.

The novel has more graphic violence than most. Women are raped but Merchant spares the reader a description of those assaults. Readers who are sensitive to torture scenes might want to give The Palace of Sinners and Saints a pass. I recommend it to other thriller fans because Merchant’s prose is energetic, Mirza is an appealing tough guy protagonist, and the fast-moving plot is so fun that the reader has little reason to consider its improbability.

RECOMMENDED