Don't Look Back by Gregg Hurwitz
Monday, September 1, 2014 at 10:47AM 
Published by St. Martin's Press on August 19, 2014
After Eve Hardaway's husband leaves her for another woman before they can take their anniversary vacation to Oaxaca, Eve decides to go by herself. Eve is in the Mexican jungle with a half dozen American tourists, the camp owners, and a man she encounters while rafting in the jungle. The man is practicing throwing his machete at a human silhouette. When Eve finds a lost camera near the man's dwelling, she realizes that the woman who owned the camera was the previous occupant of the hut in which Eve is staying. The camera contains pictures of the jungle man behaving forcefully with an indigenous woman.
When Eve learns that the camera owner never made it home, the group feels threatened. Their fears are discouraged by the camp owners, who worry that publicizing the psycho in the jungle might be bad for business -- not to mention Oaxaca's aversion to having a Natalie Holloway story in the foreign media.
The campers, including Eve, are largely a group of whiners, making it difficult to care what happens to them. It's also disappointing that the man with the machete is such a conventional villain. A long expository chapter in the middle of the novel explains his improbable journey from Pakistan to the Mexican jungle, where he now fights the "holy struggle" by abusing native women. As villains go, this semi-retired jihadist is a cartoon.
Don't Look Back could have been a tighter novel. Too many scenes are repetitive. Characters have the same arguments about their predicament, tell each other how bad their situation is, and waste time when they should be running. The evil guy gives them plenty of time to waste, and ample opportunity to escape, when he could have devoted his energy to the simple task of killing them all. All of that makes the last third of the novel less interesting than the set-up.
The natural threats of the jungle (crocodiles and sweeper ants and deadly plants and flooding downpours) are more believable (and more menacing) than the jihadist with the machete. An extended chase scene through the jungle at the end of the novel is more interesting than a typical chase scene through city streets, but my interest waned as the chase went on and on. The story's path is predictable -- it is too easy to guess which characters will die and which will be unexpectedly resourceful. Although Don't Look Book has some strong moments and moves briskly, I cannot recommend it with any enthusiasm.
RECOMMENDED WITH RESERVATIONS