Eveningland by Michael Knight

Published by Atlantic Monthly Press on March 7, 2017

Eveningland is an excellent collection of related stories, loosely linked by location (Mobile County, Alabama) and time frame. They are also linked by Michael Knight’s gentle humor, his keen power of observation, and his ability to encapsulate lives over the course of just a few pages. And nearly every story has a dog, cementing my belief that dogs always makes a story better.

“Water and Oil” tells the story of a teenage boy who spends his summer on his boat as a volunteer, looking for the remains of an oil spill. The boy takes an interest in an older teenage girl who treats him with the unthinking callousness that is common to attractive young females who reject younger boys. The story draws a nice parallel between life’s disappointments and oil spills, which eventually dissipate and leave the impression that all has returned to normal, when only time will reveal the hidden changes they cause.

“Smash and Grab” is an amusing story about a teenage girl who overpowers a burglar and spends the evening telling him about her teenage woes.

“Our Lady of the Roses” is about an art teacher at a Catholic school who has a crisis after she is told that her art lessons should have a more religious theme. The young woman may need a miracle to pull together the threads of her disordered life.

“Jubilee” is the snapshot of a marriage that has endured without fuss or drama. It’s kind of sweet to imagine that such marriages exist, even if the spouses are settled in their ways and don’t really listen to each other.

In “Grand Old Party,” a man with a shotgun confronts his cheating wife and her lover. The story has an absurdist appeal. Does love make people crazy, or is it crazy to fall in love?

“The King of Dauphin Island” tells of a wealthy man who buys every property on an island that is eroding away to nothingness. The man’s wife has died and the island might be a symbol of how he sees the rest of his life. But the daughters he loves think he’s gone off the deep end, and the man must decide how to remake himself. This is a touching story of grief and dignity and the importance of allowing the people we love to be themselves. The ending is beautifully ironic. This story is a gem.

“Landfall” is another story of a family in crisis as disasters come in bunches. A hurricane that receives a mention in “The King of Dauphin Island” takes center stage in “Landfall.” The story follows siblings who need to deal with the hurricane as well as their mother’s fall and her resulting brain injury. Flashbacks put the family in perspective, while sharp characterization is the story’s strength. The story captures: “The impossibility of living up to the past. The burden of trying. A last chance to measure up.”

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Foreign Soil and Other Stories by Maxine Beneba Clarke

First published in Australia in 2014; published by Atria / 37 INK on January 3, 2017

Maxine Beneba Clarke demonstrates remarkable range in Foreign Soil. The stories shift between Australia and less developed countries, as Clarke explores triumphs and tragedies that connect lives in cultures that are quite different from each other.

“David” tells the story of two Sudanese women in Australia. One fled from her village with two sons and memories of a third. The younger woman faces the older woman’s disapproval because she wears her hair short, dresses in jeans, has abandoned religion, and rides a bicycle. Yet it is ultimately the bicycle rather than Sudanese tradition that binds the two women in this touching, sad story. It’s easily my favorite in the collection.

“Harlem Jones” is a young man whose parents moved to London from Trinidad. He establishes his individual identity by joining a group protest against the police killing of a black man. The story is honest in its refusal to paint a more uplifting picture of forsaken lives.

“Hope” is about a girl from the mountains who goes to Kingston to find her place in the world and instead learns hard lessons about love. It’s a sweet “slice of life” story that should please fans of romance (as opposed to fans of romance fiction).

“Foreign Soil” tells the story of Angela, who falls in love with Mukasa and leaves Australia behind when he takes her to Uganda. In his own world, however, Mukasa seems like a different person. The story is bleak and troublingly unfinished.

“Shu Yi” is the name of the new kid in school. The story’s narrator, a brown-skinned girl named Ava, is relieved that someone has replaced her as the target of bullies in their white suburban Australian neighborhood. When Ava’s mother forces her to be Shu Yi’s friend, the outcome is surprising. This is my third-favorite story in the collection.

“Railton Road” is the Brixton headquarters of young black rebels who are assembling to express their growing discontent. The story highlights characters who take different approaches to black empowerment while sniping at each other and treating women as slaves.

“Gaps in the Hickory” is a story of poverty, prejudice, and pride. Poverty should transcend race as a unifying force, but some characters in the Mississippi setting of this story are blinded by bigotry as they rage against people of different races and sexual identities. The themes are particularly relevant today, as bigots cling to an imagined past that never existed. This story, like some others in the collection, is masterful in its use of dialect. Its combination of an ugly present and a hopeful future make it my second-favorite story in the volume.

“Big Islan” is about the restlessness of life in Jamaica. The story is again notable for its use of dialect.

“The Stilt Fishermen of Kathaluwa” tells the story of Ansanka, a boy soldier who fled from Sri Lanka and is now being detained in Australia. The story alternates between Ansanka’s harrowing young life and the unsatisfying life of the lawyer who interviews him in a detention facility. I love the story’s contrast between people who think they have problems and people who really have problems.

A girl who gets stuck hanging upside down symbolizes life’s deeper problems in “The Sukiyaki Book Club.” The writer enters the story to explain that she doesn’t know how to rescue the girl. Parental fear -- the writer’s need to assure that her own kids are safe and well adjusted (or at least safe) -- is the story’s focus. I’m not fond of stories in which writers intrude into the narrative, so this was my least favorite.

In “Aviation,” a woman whose husband was killed on 9/11 is asked to become an emergency caregiver for a Middle Eastern child no family will take. The story is a brief but powerful look at misdirected prejudice.

None of the stories in Foreign Soil are bad, most are quite good, and a handful are excellent. I appreciate the attention to important themes that are overlooked by modern authors who so often devote themselves to the trivial.

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Earth for Inspiration by Clifford D. Simak

Published digitally by Open Road Media on July 5, 2016

This is volume 9 of The Complete Short Fiction of Clifford D. Simak. The introduction to this volume focuses on Clifford Simak’s westerns. A western has been included in each of the volumes that I’ve read, but the bulk of this book, like the other volumes, consists of the science fiction stories at which Simak excelled.

“Earth for Inspiration” (1941) doesn’t fit within the cycle of stories that Simak assembled into the book City, but it does feature a robot valet named Jenkins (apparently not the same Jenkins who appears in City). This Jenkins tells a blocked science fiction writer to visit Earth for inspiration. There the writer meets a rusty robot named Philbert who probably would have fit nicely into the City plotline. This isn’t a great story but it’s interesting to see how Simak played with some ideas that he later used to produce great stories.

“Idiot’s Crusade” (1954) is one of Simak’s alien visitor stories, although it is far from his best use of that theme. The alien takes over a human idiot and launches a crusade against people who are unfriendly to idiots.

“Hellhounds of the Cosmos” (1932) is one of Simak’s earliest published stories. Even the volume’s editor admits that it doesn’t make much sense.

“Honorable Opponent” (1956) illustrates a point that Simak made many times -- that aliens and humans are likely to have very different perspectives on almost everything. In this clever story, aliens have a concept of war that humans only come to understand in defeat.

“Green Flight, Out” (1941) is one of Simak’s aviation combat stories. Not my thing.

“Carbon Copy” (1957) takes on a greedy realtor. Greedy or exploitive businessmen never do well in Simak’s stories. This one is pranked by an alien, deservedly so.

“The Asteroid of Gold” (1932) is a science fiction action/adventure story that borrows its themes from westerns. Prospectors exploring new frontiers fight for survival (using wits, science, and overall toughness). The story is better than some of Simak’s other early efforts.

“Good Nesters Are Dead Nesters” (1945) is a western. I am usually entertained by Simak’s westerns and this one was no exception.

“Desertion” (1944) was one of the stories that Simak incorporated into City. It is also one of his best stories. In fact, this story of a man and a dog who move beyond life on Earth remains my favorite Simak story.

“The Golden Bugs” (1960) tells of aliens who try to steal the Earth’s metal, not realizing that humans take it personally when aliens mess with our cars. The story is notable for the narrator’s ambivalent reaction to Earth’s response.

“Full Cycle” (1955) returns to the theme of deserted cities that was integral to City. This take on the theme takes a more optimistic view of humanity’s ability to endure the breakdown of society.

This may not be the best volume in the series, but it contains two of the best stories: "Desertion" and "Honorable Opponent." Several of the rest have retained their entertainment value.

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Good Night, Mr. James by Clifford D. Simak

Published by Open Road Media on July 5, 2016

Volume 8 in the complete collection of Clifford E. Simak’s short stories begins with an introduction that discusses Simak’s non-fiction writing. Apart from his journalistic efforts, Simak wrote about nature. Of course, nature and the environment are common themes in Simak’s fiction. Not surprisingly, given Simak’s habit of working bits of his life into his stories, a character in the story “Brother” is a nature writer.

“Good Night, Mr. James” (1951) is different from Simak’s other “first contact” stories in that most of Simak’s aliens are benign or bewildered, while this story about an alien that hates all living things takes a decidedly grim view of aliens. But the story also suggests that humans can be equally nasty. The story takes a neat twist that results in one of Simak’s best surprise endings.

“Brother” (1977) is one of several Simak stories in which a character finds simple farm life preferable to the complexities of modern living, this time because spaceports are blocking the view. The evolution of humanity is a theme in this story, one to which Simak returned frequently during his career.

“Senior Citizen” (1975) presents a dark view of living a very long life, which might be telling given that Simak was in his 70s when he wrote the story.

“The Gunsmoke Drummer Sells a War” (1946) is a typical Simak western.

“Kindergarten” (1953) imagines aliens disguised as vending machines, but the story reveals one of Simak’s frequent themes: the probability that humans will respond violently to benign aliens, when peaceful interaction is more likely to benefit the human race.

“Reunion on Ganymede” (1938), like much of the fiction Simak wrote before he got old, contrasts with “Senior Citizen” by portraying an elderly man as wise and heroic. The story, involving robots and a killer, was written early in Simak’s career when he was churning out action stories.

“Galactic Chest” (1956) is one of the Simak stories to feature a journalist in a starring role (Simak worked as a journalist and newspaper editor during his writing career). This is another story in which aliens behave more charitably than humans.

“Death Scene” (1957) imagines that the world has finally achieved peace, but at a cost. People have traded freedom for security, a tendency that makes the story relevant to modern life.

“Census” (1944) is one of the stories that Simak “fixed up” into the novel City. It is the first talking dog story in the novel and it features themes (the decline of urban civilization, the rise of mutants, the evolution of ants) that become central to the later stories.

“Auk House” (1977) revisits a theme that Simak employed in many stories: the greedy and irresponsible nature of large corporations. Businesses use a kind of time travel to visit alternate worlds in an effort to exploit intelligent dinosaurs. This is one of Simak’s strongest “message” stories.

Like all the volumes in this collection, some stories are better than others. That’s the difference between a “complete” collection versus a “best of” collection. If you can’t get enough Simak, the complete collection is worth acquiring.

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A Death in the House and Other Stories by Clifford D. Simak

Published by Open Road Media on July 5, 2016

A Death in the House is volume 7 in the Complete Short Fiction of Clifford D. Simak series published by Open Road. The introduction attributes Simak’s apparent hiatus from science fiction in the mid-1930s to his work as a newspaper editor, moving from town to town in the Midwest after being hired to save sinking newspapers. At the same time, shrinking markets for sf left him with few places to which he could submit his work. Fortunately, the hiatus did not last long and Simak went on to produce some of science fiction's most memorable stories.

The stories (with publication dates) collected in this volume are:

"Operation Stinky" (1957) - A smelly alien meets a drunken human. This is an amusing story that previews themes that Simak developed in greater depth in “A Death in the House,” also collected in this volume.

"Green Thumb" (1954) - This intelligent alien plant story that also previews “A Death in the House.”

"When it’s Hangnoose Time in Hell" (1946) - A western.

"The Sitters" (1958) - Aliens prove to be twisted babysitters. Those who benefit might approve of the aliens’ approach but parents will be horrified.

"Tools" (1942) - An intelligent cloud of radon from Venus is messing with humans, but the radium industry is big business and profits matter more than people. Like many of Simak’s stories, “Tools” is optimistic even as it cautions against greed and other deadly sins.

"Target Generation" (1953) - A generation ship story with some twists. The story has some features in common with Brian Aldiss’ excellent 1958 novel, Non-Stop.

"War is Personal" (1945) - A “pilots behind enemy lines” war story.

"Nine Lives" (1957) - A time travel story with cats.

"A Death in the House" (1959) - A farmer finds a smelly plant-like alien that soon dies -- or does it? Simak’s humanity shines through in this story, as well as his sense that aliens (and by extension, humans who are different from us) are just as capable of empathy and kindness as we are. It’s my favorite story in the volume and one of Simak’s best.

"The Birch Clump Cylinder" (1974) - An alien starship drive that uses time as a source of energy falls to Earth, setting up a clever time travel story.

None of the stories in this volume are duds and all except the war story entertained me, but only one -- the title story -- shows Simak at this best. It’s interesting, however, to see how two of the earlier stories shaped the title story.

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