The Tzer Island book blog features book reviews written by TChris, the blog's founder.  I hope the blog will help readers discover good books and avoid bad books.  I am a reader, not a book publicist.  This blog does not exist to promote particular books, authors, or publishers.  I therefore do not participate in "virtual book tours" or conduct author interviews.  You will find no contests or giveaways here.

The blog's nonexclusive focus is on literary/mainstream fiction, thriller/crime/spy novels, and science fiction.  While the reviews cover books old and new, in and out of print, the blog does try to direct attention to books that have been recently published.  Reviews of new (or newly reprinted) books generally appear every Monday, Wednesday, and Friday.  Reviews of older books appear on occasional weekends.  Readers are invited and encouraged to comment.  See About Tzer Island for more information about this blog, its categorization of reviews, and its rating system.

Entries in short stories (78)

Wednesday
Feb242016

Condor in the Stacks by James Grady and The Little Men by Megan Abbott

MysteriousPress.com is publishing (in digital form) a series of stand-alone stories by popular crime authors in which books, bookstores, libraries, or manuscripts play a central role.  I don't usually review individual short stories, but I'm making an exception for the Bibliomysteries series because the concept is interesting and the authors are well known.

"Condor in the Stacks" by James Grady was published digitally on February 23, 2016.

Condor fans know from reading Last Days of the Condor that the Condor, sometimes known as Vin, was heavily medicated and given a (supposedly) safe and undemanding job at the Library of Congress, sorting books into bins for reshelving and recycling. Vin thinks pretty much all books should be saved. That attitude makes him well suited for the Bibliomysteries series.

Vin tries to kick back his sedation long enough to help a library employee named Kim who thinks she is being stalked. Meanwhile, he tries to solve the puzzle of why he packed seven coffins full of books for recycling but nine coffins are being hauled away.

The plot is beyond far-fetched and it isn’t fully developed. I'm not sure it even makes sense. Still, it entertained me. I liked the story, but not nearly as much as I liked the last Condor novel, which had a depth of character and intricacy of plot that can be difficult to achieve in a short story. I probably would not recommend this story to readers who did not read and enjoy Last Days of the Condor.

The text of the story mentions or alludes to about a dozen authors. James Grady acknowledges them at the end, which is helpful for readers who recognize, but can’t quite place, an allusion. I am one of the readers who benefitted from reading the acknowledgements.

Judging from Amazon reviews, some readers are turned off by Grady’s writing style, which is far from conventional. Odd punctuation, sentence fragments, and stream of consciousness sometimes take over the narrative. The frenzied, off-kilter style reflects Vin’s shaky mental status. I like it for that reason but I realize that it puts off readers who are looking for straight-forward prose. If you are one of those, be warned that this might not be the story for you.

RECOMMENDED

"The Little Men" by Megan Abbott was published digitally on September 15, 2015

In 1953, Penny went to Hollywood to pursue her dream of fame. Like most wannabe actresses, she found a less satisfying life that the one she pursued. At night, she consoles herself with the books that came with a surprisingly affordable bungalow that she rents in the canyon. Her neighbors soon reveal that the rent is affordable because nobody wants to rent the bungalow where the bookseller killed himself. Or did he?

This is a story of bad dreams and spooky nocturnal noises and shadows on the walls. A mystery with the flavor of a horror story. Like Psycho, the story asks the reader to divine the secrets of a spooky place. Are the horrors that Penny experiences real or imagined?

A well-crafted story, “Little Men” creates a visceral atmosphere and gives flesh to its characters. The story resolves with a couple of unexpected twists. Most of the stories in this series have been quite good, and this one is no exception.

RECOMMENDED

Sunday
Feb072016

We Install and Other Stories by Harry Turtledove

Published by Open Road Media on August 25, 2015

I have a mixed, but generally positive, reaction to this collection. Harry Turtledove is known for his alternative histories but this volume showcases his range as a science fiction writer. Readers expecting alternative histories might be disappointed, since none of those are represented here, although history does play a role in a couple of the stories.

Sort of the flip side of alternate history, “Drang von Osten” is a story of the future, told from a German soldier’s point of view as his army (combined with various Scandanavian forces) fights a campaign against Soviet Russians. If you’ve read any of the books that Turtledove has set in a time of war, this story is fairly typical in terms of content and style. The ending comes as something of a surprise, perhaps because it is jarringly out-of-the-blue.

In “Hoxbomb,” humans and an alien race who are grudgingly sharing a world find the need to conduct a joint criminal investigation. The aliens are truly alien, cleverly so. They are different from humans in most significant ways but with enough similarities to make productive interaction possible.

The longest and best story, “Down in the Bottomlands,” is a fun blend of the mystery and spy genres with modest elements of science fiction. A tour guide who shows tourists the sea bottom of a long-dry seabed finds himself in the middle of a conspiracy to reignite a war between the various political divisions on his world.

“Father of the Groom” is about a mad scientist who literally turns a bride into Bridezilla. “We Install” is about a salesman who installs solar systems (as opposed to solar power systems). Both stories are cute but trivial.

“Under St. Peter’s” explains the resurrection of Jesus in a clever way that people of a religious bent might find sacrilegious. I thought it was amusing. “It’s the End of the World as We Know It, and We Feel Fine” imagines domesticating humans in the way that Balyaev domesticated foxes. I liked the story but the style is a little too author-intrusive for my taste.

Turtledove’s attempt at something that isn’t science fiction, “Logan’s Law” (“the good ones are already taken”) is a bland story about a guy who is happy because he got laid …. duh. “Birdwitching” is about a witch who goes birding. Not my kind of story.

A few nonfiction pieces add to the page count, but not to the quality of the volume. In short, while the stories are uneven, the best of the bunch are quite good, and they make the collection worth reading.

RECOMMENDED

Friday
Oct232015

The Book of the Lion by Thomas Perry

Published by MysteriousPress.com/Open Road on July 14, 2015

This is another entry in Mysterious Press’ Bibliomystery series of short stories that relate to books, bookstores, libraries, or manuscripts. Joyce Carol Oates, Jeffrey Deaver, and a number of other popular crime writers have contributed to the series.

A professor who is a leading expert on Chaucer gets a call from a mysterious stranger who claims to possess the only existing manuscript of Chaucer’s Book of the Lion. The manuscript is thought to have been lost, or possibly it never existed. Is its sudden appearance a hoax? A prank? A fraud?

Rather than offering to sell the manuscript, as a con artist might, the mysterious man has another scheme in mind. Of course, the scheme involves money. With the help of a wealthy friend who has a literary bent, the professor strives to learn the truth about the manuscript.

Thomas Perry peppers the story with snippets of history from the Middle Ages. The characters and tidbits about Chaucer’s works and medieval history make the background more interesting than the plot, which is fun but leads to an unsurprising ending. Still, the fast-moving story is a worthy entry in the series.

RECOMMENDED

Monday
Sep142015

Writers of the Future vol. 31, edited by David Farland

Published by Galaxy Press on May 4, 2015

If these are the writers of the future, I'll stick to the writers of the past. The stories are chosen from the "L. Ron Hubbard Writers of the Future" contest. David Farland, who judges the contest, calls them "gleaming and flawless." I'd call most of them "not quite ready to be published."

One of the few highlights in this volume is Auston Habershaw's "A Revolutionary's Guide to Practical Conjuration." It tells an engaging story about the lessons learned by a young man who endeavors to improve a dark world by mastering a book of magic that is also a magical book.

"Switch" by Steve Pantazis is a direct-link-between-mind-and-internet story about a cop who investigates a homicide. The killer took a drug called Switch that slows the perception of time, enhancing the ability to react quickly. The cop uses it too, which is the only interesting thing about the cop. The story is full of clichéd ideas and it drags on too long before leading to a predictable climax.

"The God Whisperer" by Daniel J. Davis is an amusing but half-formed story about a guy who enlists the help of a "god trainer" to help him cope with an egocentric god of war and strife who lives in his back yard. Set in a future Vietnam, Tim Napper's "Twelve Minutes to Viet Quang" would be an excellent first chapter about a heroine who stands up to an oppressive society, but it is insubstantial as a stand-alone story.

Childbirth, childcare, and the blossoming (or not) of womanhood are the focus of "Stars that Make Dark Heaven Light" by Sharon Joss. The theme of socially mandated copulation has been done before, and better, although the female who must copulate has gills, which unevolved humans might regard as a turn-off. Some of the story, about bonding with brainy alien bugs that other colonists view as a threat, is mildly interesting, but too much of the story consists of starry-eyed romantic musings that fans of romance fiction might find more appealing than I did. The ending is just cheesy.

Krystal Claxton's "Planar Ghosts" is a post-apocalyptic story. A character named Pup has a friend named Ghost who is invisible to others but "faintly purple" to Pup. Maybe Ghost isn't really a ghost but the explanation of Ghost's existence is, like the rest of the story, contrived. As an adventure story, it isn't bad, but it could have been better.

"Between Screens" by Zach Chapman has a young nerdy guy skipping around the universe with the hot girl who gives him his first kiss. If you aren't a young nerdy guy who has fantasies about getting laid by a hot girl, you can skip this story without missing anything. "Half Past" by Samantha Murray tells of a girl who must leave her imaginary friends, except they aren't imaginary since they were created by magic during moments of intense emotion. It isn't my kind of story but it does take a surprisingly clever twist. If you like stories like this, it isn't a bad one.

Martin L. Shoemaker's "Unrefined" is an undistinguished "who sabotaged my nuclear reactor?" story, which might have made for a good plot if the story hadn't gone in a completely different and tragically dull direction. "Purposes Made for Alien Minds" by Scott R. Parkin is written in sentences of exactly five words. Gimmick gets old really fast.

"The Graver" by Amy M. Hughes is about people who absorb memories of the dead. That's a concept I've seen before. The story isn't bad until it buries its drama in a lot of silliness about releasing a dead person's soul. Kary English's "Poseidon's Eyes" is a mundane story about spirits that failed to hold my interest.

Mental health counseling for people who do strange things under stress (like turning into smoke, becoming invisible, or increasing in mass and weight) is the subject of Michael T. Banker's "Wisteria Melancholy". Had it been played for laughs, this could have been a great story, but the author took the subject matter more seriously than I did.

L. Ron Hubbard is too dead to be considered a writer of the future but the volume includes a story and an essay about art that he wrote when he was still alive. I guess that's because his name is on the cover. Larry Niven, Orson Scott Card, and Kevin J. Anderson are not dead, but a Card essay and stories by Niven and Anderson (Anderson's is co-written with his wife) are also featured here for reasons I cannot imagine, unless the intent is to give the volume a sense of professionalism by adding writers of the past. Each story has an illustration and there's an article about illustrators of the future and another on "the direction of art" that both seem to serve as page-fillers.

NOT RECOMMENDED

Wednesday
Aug262015

The State We're In by Ann Beattie

Published by Scribner on August 11, 2015

The stories in The State We're In are snapshots of women at different stages of life. Nearly all of the action takes place in New England (mostly in Maine) although some memories and peripheral events occur in California and New York. Several of the stories are linked by characters or events. Each can be read without reference to any other story, but reading them together gives them additional weight.

Some stories are about young girls who are unraveling the mysteries of life. The first entry delves into the mind of Jocelyn, a high school student who can't quite wrap her mind around the future, isn't terribly engaged with the present, and doesn't know what to make of magical realism. "What Magical Realism Would Be" is one of my favorites in the collection. Jocelyn is still wondering about magical realism in "Endless Rain into a Paper Cup" but the perspective shifts to third person and the story -- more eventful than the first -- broadens to include her ill mother, the kindly uncle and batty aunt who are taking care of her, and a friend who tried who commit suicide. Jocelyn also narrates the last story, "The Repurposed Barn." She still can't pull a "B" on her English essays (punctuation puzzles her) and her aunt is upset that Jocelyn's mother, freshly out of the hospital, is dating a recovering addict, but Jocelyn has an epiphany that helps her make a connection between life and literature while she watches Elvis lamps being sold at an auction.

Other portraits of youth involve a girl who ponders what to do about a baby bird that fell from its nest ("The Fledgling") and a girl who learns that life is "a rocky road to death" from an aunt who attends Gatsby-like parties and wears the wire baskets that hold champagne corks in place under her bra to enhance her nipples ("Aunt Sophie Renaldo Brown").

Two of my favorites deal with older women. In "Yancey," a 77-year-old poet discusses poetry, her annoying family, and her aging dog with an IRS agent. The 74-year-old writer in "Missed Calls" has a gossipy lunch with a young writer who interviews her about her brief encounters with Truman Capote, but the woman's glimpse of the young man's anguish over his goddaughter's odd behavior provides the story's drama, showcasing the difference between a woman starting adulthood and a woman nearing the end of hers.

The narrator of "Duff's Done Enough" is an author who explains the pinprick of inspiration after her landlady, a woman of 74, introduces her to a story-filled neighbor of 82 who just changed his name from Chip to Duff. The narrator of "Elvis Ahead of Us" ponders the life of the neighbor who moved away after putting his house on the market, leaving behind his collection of ... you guessed it ... Elvis lamps.

Some stories are about the power of memories. A woman reflects upon the summer she turned 21, finding symbolism in a pair of deliberately overturned Adirondack chairs ("Adirondack Chairs"). Another woman looks back at a summer in her younger life and the casual friendship she had with her male roommate ("Major Maybe").

"Silent Prayer," a sweet story told in the third person, is largely a coded conversation between a husband and wife -- the kind married couples have that only make sense to them. Another strong story, consisting almost entirely of dialog, is a bedroom conversation by aging parents who are glad that their children do not visit too often ("The Stroke").

Rounding out the collection are two stories that felt less substantial. In "Road Movie," a woman who checks into a motel with a man who is cheating on his girlfriend can't get the man to talk about their relationship and, on the telephone, can't get her mother to stop talking about it. "The Little Hutchinsons" introduces a woman who feels guilt when her refusal to do an odd favor for a friend has unintended consequences.

None of these stories are duds and the best of them are masterful. Exquisite prose and startling observations make the entire collection worth reading.

RECOMMENDED