The Tzer Island book blog features book reviews written by TChris, the blog's founder.  I hope the blog will help readers discover good books and avoid bad books.  I am a reader, not a book publicist.  This blog does not exist to promote particular books, authors, or publishers.  I therefore do not participate in "virtual book tours" or conduct author interviews.  You will find no contests or giveaways here.

The blog's nonexclusive focus is on literary/mainstream fiction, thriller/crime/spy novels, and science fiction.  While the reviews cover books old and new, in and out of print, the blog does try to direct attention to books that have been recently published.  Reviews of new (or newly reprinted) books generally appear every Monday, Wednesday, and Friday.  Reviews of older books appear on occasional weekends.  Readers are invited and encouraged to comment.  See About Tzer Island for more information about this blog, its categorization of reviews, and its rating system.

Entries in Louis Begley (2)

Wednesday
Mar182020

The New Life of Hugo Gardner by Louis Begley

Published by Doubleday/Nan A. Talese on March 17, 2020

At 85, Hugo Gardner thinks of himself as a “tattered coat upon a stick.” He misses Valerie, to whom he was long married, but she recently left him for the younger man with whom she was sleeping. As an elderly husband he was boring, despite having once had an exciting career as a foreign correspondent and eventually as the editor of Time. While his daughter depends on him to pay tuition for his grandchildren, she otherwise sides with her mother and makes clear that she despises him. He gets along with his son, but has a vague feeling that he failed both of his children as well as his wife and grandchildren. His contacts with his son and grandkids have been “pleasant but not particularly affectionate.”

When Hugo must decide whether to have treatment to prevent his prostate cancer from metastasizing, he considers whether he wants to prolong his life and at what cost. Despite his shortcomings and the malaise they have produced, he thinks he is happy, albeit lonely. He takes joy from his garden and the birds it attracts, from walks on the beach and his writing projects, from food and drink and books and operas. If his memories are not all good, some are splendid. Hugo feels vast regret that he will die, a fate that comes closer every day, but he wants to die on his own terms: lucid, mobile, and independent.

As Hugo ponders his choices, he has occasion to go to France, where he worked for years as a journalist. He looks up some old friends, chats with them about the unlikely presidential candidate running against Hilary. He eventually contacts a former lover he abandoned for Valerie. They rehash old memories, not always pleasant (particularly from Jeanne’s perspective), but they make new ones, at least until the time comes to think about the future.

Unlike novels about seniors who look back at their lives, The New Life of Hugo Gardner is primarily about the difficulty of looking forward when not much time remains. Thinking about the future isn’t easy when there isn’t much future left. Hugo considers the future that everyone faces to be bleak, given the world’s refusal to confront the reality of global warming and its growing embrace of totalitarian leaders, but his concerns are more personal. Forming new or renewed relationships is difficult after a certain age. It is unlikely, after all, that he will find someone who will commit to a relationship that is doomed to end in the relatively near future. Even adopting a dog, only to make it an orphan, seems like a bad idea.

Or is Hugo refusing to think outside the box? He is hardly alone in his loneliness. Even much younger people feel isolated. Perhaps if he opens himself to opportunity, the rest of his days can be shared with people who care about him, even if those relationships are not what he had with Valerie or Jeanne.

The New Life of Hugo Gardner is not a novel for readers who insist on a page-turning plot. It is a contemplative character study that meanders in the nonlinear direction of thoughts that occur to an aging man. The publisher calls this novel a “comedy of manners,” but I read it as a bittersweet exploration of the nuances of aging. Hugo is far from a typical octogenarian — he is surprisingly virile for a man of his age — but he embodies the regrets of men who have lived self-absorbed lives, men who gave attention to careers rather than families and friends, who feel both betrayed and guilty as they try to chart a path forward. Hugo’s self-analysis and refusal to blame others for his faults gives him a certain charm, and his insightful commentary on life as it nears its end gives surprising weight to a light novel.

RECOMMENDED

Wednesday
Jun102015

Killer, Come Hither by Louis Begley

Published by Doubleday/Nan A. Talese on April 7, 2015

Killer, Come Hither appears to be an attempt to craft a literary thriller. The prose is of reasonably high quality but the key element of a thriller -- suspense -- is lacking while the prime ingredient of literary fiction -- characterization -- is neglected.

In the wake of 9/11, Jack Dana leaves behind the call of academia to follow in the military tradition of his father and grandfather. He later leaves the Marines to become a novelist. Dana is working on his third book as the story unfolds.

The story involves the apparent suicide of Dana's beloved Uncle Harry. Harry was a lawyer whose principle client meddled in politics and likely engaged in widespread fraud and corrupt practices. Dana and one of the associates in Harry's firm believe that Harry's death was orchestrated to prevent Harry from exposing some ongoing crime in which his wealthy client was engaging. The coincidental death of the lawyer's secretary fuels their suspicion.

Against that background, Dana decides to make it his mission to identify the killer and to engage in a revenge killing. The novel takes Dana on a straightforward path to uncover a motive and spot a killer. It is too straightforward to create tension or a sense of mystery. Since Dana has the help of a CIA agent, finding the truth is easy. The CIA agent gives Dana some ridiculous gadgetry that turns up in a climactic scene for no apparent reason other than Dana's desire to use the kind of gadgetry Q would have furnished to James Bond. That bit of silliness at least enlivens a story that is mostly dull and predictable.

The police, who apparently saw nothing odd about Harry's unlikely suicide or his secretary's coincidental death, are just as indifferent to the mayhem Dana causes. I was equally indifferent to Dana. He has a typical "thriller hero on a vendetta" personality -- that is, almost none at all. He gets involved in a romance because that's what thriller heroes do. He seeks vengeance because that's what thriller heroes do. He has apparently never had an original thought in his life, making Dana a dull boy. Worse, he is a dull boy telling a dull, predictable, unimaginative story -- although he does so in prose that is the novel's only saving grace.

NOT RECOMMENDED