Galway Confidential by Ken Bruen

Published by Mysterious Press on March 5, 2024

Jack Taylor wakes up from a coma after 18 months and, within minutes, has his first taste of Jameson. It makes him feel much better.

Jack entered the coma after being stabbed multiple times at the end of A Galway Epiphany. Upon awakening, Jack learns that his life was saved by a man named Rafferty. Rafferty has been visiting Jack after convincing the hospital nurses that he is Jack’s brother. Rafferty has taken an interest in Jack’s life — he explains that he produces a true crime podcast that often features Jack’s cases — and, after Jack's discharge, Rafferty tries to partner with him on a couple of investigations. This will prove to be bad both for Jack and Rafferty, although series fans know that having any sort of friendship with Jack is likely to invite danger.

The plot of Galway Confidential is fairly typical for a Jack Taylor novel, although it might be less shockingly violent than most. A former nun, Shiela Winston, wants to hire Jack to find the rogue who has been killing nuns in Galway. The Guards are doing little to solve the crime spree, as they are overwhelmed with protestors against lockdowns and vaccination policies.

In addition to investigating attacks on nuns, Jack searches out a couple of affluent youngsters who are setting fire to the homeless. Jack also meets up with Quinlan, an associate of Rafferty whose violent approach to problem solving is not as compatible with Jack’s as Quinlan believes.

During his investigations, Jack is contacted by an alcoholic priest. Jack forces the priest to dry out — perhaps an act of hypocrisy for someone who drinks as much as Jack — but again, any association with Jack isn’t likely to end well. The plot threads weave together in ways that readers have come to expect from Ken Bruen.

Bruen has a history of referencing books, television shows, and movies in the Jack Taylor novels. A character in Green Hell explains that the references ground the novels in “stuff” that the reader knows. Bruen makes fewer cultural references than usual in Galway Confidential (perhaps because Taylor has been in a coma and thus unable to consume culture), but he grounds the novel in current events, as well as events Jack missed while he was sleeping: the Brexit disaster, Boris Johnson’s resignation, the Queen’s death, the Russian invasion of Ukraine and the influx of refugees into Ireland, inflation and other consequences of the pandemic. The implication is that Jack has good reason to drink.

Jack Taylor novels are quick reads. Bruen’s minimalist writing style tells the story in short paragraphs that surround dramatic moments with quirkiness. Bruen’s notion of a long sentence is: “He had the kind of face that you know has never really been walloped properly but I could amend that.” Dialog is crisp, in part because Taylor rarely speaks unless he can’t prevent himself from responding to idiocy with sarcasm. Galway Confidential is an unremarkable entry in a remarkable series but since every Jack Taylor novel is darkly entertaining, my recommendation is nearly automatic.

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